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  • Format: ePub

William Makepeace Thackeray's novel, 'The Second Funeral of Napoleon,' is a satirical masterpiece that takes a critical look at the complex nature of power, fame, and political ambition. Written in Thackeray's signature wit and clever narrative style, the book offers a unique blend of historical fiction and sharp social commentary. Set in the aftermath of Napoleon's death, the story follows a diverse cast of characters as they navigate the aftermath of the emperor's passing, shedding light on the follies of human nature and societal expectations. Thackeray's intricate prose and keen…mehr

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Produktbeschreibung
William Makepeace Thackeray's novel, 'The Second Funeral of Napoleon,' is a satirical masterpiece that takes a critical look at the complex nature of power, fame, and political ambition. Written in Thackeray's signature wit and clever narrative style, the book offers a unique blend of historical fiction and sharp social commentary. Set in the aftermath of Napoleon's death, the story follows a diverse cast of characters as they navigate the aftermath of the emperor's passing, shedding light on the follies of human nature and societal expectations. Thackeray's intricate prose and keen observations make this novel a compelling read for those interested in both literature and history. The author's ability to weave together humor and insight creates a thought-provoking and unforgettable reading experience. With 'The Second Funeral of Napoleon,' Thackeray showcases his literary talent and keen eye for human behavior, making this novel a must-read for fans of classic literature and political satire. Thackeray's work continues to entertain and enlighten readers, proving his enduring relevance in the world of literature.

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Autorenporträt
William Makepeace Thackeray (1811 - 1863) was a British novelist and author. He is known for his satirical works, particularly Vanity Fair, a panoramic portrait of English society. Thackeray began as a satirist and parodist, writing works that displayed a sneaking fondness for roguish upstarts such as Becky Sharp in Vanity Fair and the title characters of The Luck of Barry Lyndon and Catherine. In his earliest works, written under such pseudonyms as Charles James Yellowplush, Michael Angelo Titmarsh and George Savage Fitz-Boodle, he tended towards savagery in his attacks on high society, military prowess, the institution of marriage and hypocrisy.