Celebrated reformers like Sir Samuel Romilly and William Ewart campaigned against the widespread use of death to punish crimes ranging from murder to petty theft, but they were most influential for initiating a system of penalties built upon conflicting motivations and justifications. Canuel examines the ways Romantic poets and novelists magnified these tensions while treating them as uniquely aesthetic opportunities, seized upon contending rationales of punishment to express imaginative power, and revealed how the imagination fueled the new penal code's disturbing vitality. Death-penalty reform, Canuel argues, in fact emerged from a new way of thinking about punishment as a negotiation among rationales rather than a seamless whole, with leniency and severity constantly at odds. He concludes by exploring how Romantic penal reform continues to influence contemporary views about the justice--and injustice--of legal sanctions.
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