This book incorporates multiple perspectives, ranging from media effects theories, critical cultural studies, and the political economy of media, to semiotics and ideological, auteurist, and feminist approaches to film theory and analysis. Early chapters provide a clear explanation of these theoretical and methodological approaches while later chapters explore several of Lee's films in great depth. In a social environment where popular culture has supplanted education and religion as a primary force of socialization and enculturation, this book demonstrates why a popular filmmaker such as Spike Lee must be taken seriously, while introducing readers to ways of viewing, reading, and listening that will allow them to achieve a new understanding of the mediated texts they encounter on a daily basis.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
«Yousman deploys an impressive range of scholarly and journalistic sources, using them to develop his arguments and probe the reception of Lee's films. [This book's] multilayered examination of Lee's films and their social, cultural, political, and psychological contexts and implications is unsurpassed in any single Lee study to date.» (David Sterritt, Columbia University, author of 'Spike Lee's America')