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The verdict of suicide in the death of Eleanor Marx has gone unchallenged since it was rendered at her inquest in 1898. Deborah Lavin's attention was drawn to the subject arose from her interest in the lives of both Eleanor and her partner, Edward Aveling. She found anomalies in the evidence which could not be explained and it became increasingly apparent to her that none of Eleanor's biographers, nor any historians who have touched at all on the subject, had seen any need to make a fresh review of the evidence. Deborah determined to get at the truth. She was greatly aided in her inquiry by…mehr

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Produktbeschreibung
The verdict of suicide in the death of Eleanor Marx has gone unchallenged since it was rendered at her inquest in 1898. Deborah Lavin's attention was drawn to the subject arose from her interest in the lives of both Eleanor and her partner, Edward Aveling. She found anomalies in the evidence which could not be explained and it became increasingly apparent to her that none of Eleanor's biographers, nor any historians who have touched at all on the subject, had seen any need to make a fresh review of the evidence. Deborah determined to get at the truth. She was greatly aided in her inquiry by her close knowledge of medical jurisprudence, and particularly of the truly rudimentary state of forensic medicine, in the nineteenth century and the slipshod manner in which inquests were often conducted. Many an inquest in these times was little more than a false show of an inquiry designed to bring an appearance of closure in cases where it was practically impossible to arrive at the truth, particularly cases of poisoning, which were notoriously difficult to prove. The inadequate state of medical forensic in the nineteenth century has not been well understood by other writers. Deborah's examination of Eleanor's inquest found the proceeding, not untypically, to have been conducted in a peremptory, if not downright prejudicial, manner, by a deputy coroner who was more interested in reaching a neat and tidy verdict and avoiding scandal for a local worthy than in doing justice to the memory of the daughter of a European revolutionary. The inquest verdict was very clearly unsafe and almost certainly wrong. In the process of making her investigation, In the process of investgating Eleanor's death, Deborah was inevitably drawn into a close study of the lives of both Eleanor and her shadowy partner Edward Aveling, gaining fresh insights into the development of British Marxism, and notably the role of Engels in British Marxism, in the last years of the nineteeenth century. The current book is the product of this endeavour.


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Autorenporträt
Deborah Lavin, 1951-2020, sadly died in the full flood of her creativity. She was a poet, a playwright, a keen student of English social history and a long-time member of the Socialist History Society (SHS). She curated numerous series of lectures, including The British Business of Slavery, an eight-part series on the slave trade delivered at Conway Hall in 2015. In addition, she gave many lectures herself. Her ground-breaking study, Bradlaugh Contra Marx Radicalism versus Socialism in the First International, was published by the SHS in 2011.

Deborah's plays, bearing mostly on contemporary social and domestic issues, have been performed in the British Isles and in a number of other countries, including Germany and Japan. Her play Happy Families enjoyed a recent revival in Japan. Another play, The Deadly Incubus, arose from Deborah's interest in the ill-starred partnership of Eleanor Marx and Dr Edward Aveling, which ended with Eleanor's death. In the course of her research and writing for this play, Deborah came across many loose ends and unanswered questions. Deborah decided that a more exhaustive examination was needed, the outcome of which is the present book.