Federico Arditti Muchnik

The Strategic Producer (eBook, ePUB)

On the Art and Craft of Making Your First Feature

• Format: ePub

Produktbeschreibung

Today's technologies and economic models won't settle for a conventional approach to filmmaking. The Strategic Producer: On the Art and Craft of Making Your First Feature combines history, technology, aesthetics, data, decision-making strategies, and time-tested methods into a powerful new approach to producing. An ideal text for aspiring filmmakers, The Strategic Producer orients the reader's mind-set towards self-empowerment by sharing essential and timeless techniques producers need to get the job done while also embracing the constantly evolving production landscape.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 170
• Erscheinungstermin: 17. Juni 2016
• Englisch
• ISBN-13: 9781317301868
• Artikelnr.: 45259928

Autorenporträt

Federico Muchnik has been making films for 30 years. He studied film at NYU's Tisch School of the Arts and worked as a producer for PBS. He has also produced content for Disneyland, ABC Television, and HBO. He played the lead role in The Golden Boat, directed by Raul Ruiz, shown at Sundance, New York, and Toronto and distributed by Strand Releasing. He co-wrote and co-edited Secret Courage, a documentary about the Jewish resistance movement during World War 2. He has made many fiction-based long form series for the educational markets and filmed numerous projects throughout North America, Europe, and Latin America. He has taught filmmaking at Boston University, Emerson College, and in New York and Los Angeles. Most recently, he produced and directed the feature length This Killing Business distributed by Filmbox Arthouse in Europe and shown at numerous festivals in the U.S. More at his production company site www.mightyvisual.com and his film blog http://filmadvisor.blogspot.com.

Inhaltsangabe

PART 1 : BACK STORY
Chapter 1: History
Chapter 2: Story
2.1: The Artistic Impulse
2.2: Why Stories
2.3: Oral to Visual Storytelling
Chapter 3: Working the Material
3.1: Suspension of Disbelief
3.2: Character
3.3: Suspense, surprise, and mystery
3.4: Originality
Chapter 4: Writing the Script
4.1: Elements and Structure of the Script
4.2: Style
PART 2 : GETTING TO WORK
Chapter 5: Development
SIDEBAR: Interview with Piotr Reisch, Producer
Chapter 6: Money
6.1: The Producer - Investor Relationship
6.2: What do investors want?
6.3: The Business Entity
6.4: Investor Sources
6.5: Your Money
6.6: No Budget Filmmaking and the Compilation Film
Chapter 7: Preproduction
SIDEBAR: Interview with Brian Falk, Producer
7.1: The Casting Session
7.2: Location Scouting
7.3: Shooting On A Soundstage
7.4: Hiring People
SIDEBAR: Interview with Michael Bowes, Producer
7.5: Budget
7.6: Scheduling
Chapter 8: Production
8.1: Camera Setups & Block/Light/Shoot
8.2: Directing Actors
8.3: Working with the Crew
8.4: Meals & Breaks
8.5: Common Problems
8.6: End of Production
Chapter 9: Post-production
9.1: Workflow and Story Structure
SIDEBAR: Interview with Anne McCabe, A.C.E., Editor
9.2: Test Screenings and Finishing the Film
9.3: Deliverables
Chapter 10: The Marketplace(s). History, Deal Structures, Distribution,
Exhibition, & Film Festivals
10.1: What Distributors Want
10.2: Deal Structures
SIDEBAR: Interview with Francois Yon, distributor
10.3: Film Festivals
SIDEBAR: Interview with Larry Jackson, producer's rep.
10.4: The Larger Distribution Landscape
10.5: In Closing
APPENDIX: THE BUSINESS PLAN