The Supreme Orchestra is many things at once: a geopolitical thriller, an art-world exposé, a digressive social study, a mischievous parody. In the line of master ironists like Walser and Nabokov, with a comic timing reminiscent of Hergé and a Flaubertian infatuation with le mot juste, David Turgeon has created an oeuvre like no other in Quebec's fertile literary scene.
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