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Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major…mehr
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
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Autorenporträt
Mary Sue Morrow is Professor of Musicology at the College-Conservatory of Music, University of Cincinnati, and author of Concert Life in Haydn's Vienna and German Music Criticism in the Late Eighteenth Century. Bathia Churgin is former chair and founder of the Musicology Department at Bar-Ilan University. She has edited numerous editions of 18th-century instrumental music that include historical and analytical essays.
Inhaltsangabe
Acknowledgments List of Abbreviations I. Overview 1. Reclaiming the Eighteenth-Century Symphony Mary Sue Morrow 2. Historiography of the Eighteenth-Century Symphony Mary Sue Morrow 3. Eighteenth Century Viewpoints Mary Sue Morrow 4. Patrons and Practices Mary Sue Morrow II. Italy 5. The Symphony in Italy Bathia Churgin 6. The Italian Opera Sinfonia Marita Petzoldt McClymonds 7. Antonio Brioschi Sarah Mandel-Yehuda 8. Giovanni Battista Sammartini Bathia Churgin 9. Luigi Boccherini Timothy Noonan 10. Gaetano Brunetti René Ramos III. North Germany 11. The Symphony in North Germany Joanna Cobb Biermann 12. Johann Gottlob Harrer H. Todd Rober 13. Johan Agrell Jeannette Morgenroth 14. Johann Samuel Endler Joanna Cobb Biermann 15 .Carl Philipp Emanuel Bach Mary Sue Morrow IV. South Germany 16. The Symphony in South Germany Sterling E. Murray 17. Joseph and Placidus von Camerloher Suzanne Forsberg 18. Johann Stamitz Jean K. Wolf 19. Carl Cannabich Jean K. Wolf 20. Antonio Rosetti Sterling E. Murray V. Austrian Monarchy 21. The Symphony in the Austrian Monarchy Mary Sue Morrow 22. Georg Christoph Wagenseil Allan Badley 23. Carl Ditters von Dittersdorf Richard Will 24. Johann Michael Haydn Michael Ruhling 25. Karl von Ordonez Peter Alexander 26. Johann Baptist Wanhal Paul Robey Bryan 27. Ignaz Joseph Pleyel Allan Badley VI. France 28. The Symphony in France Robert O. Gjerdingen 29. Louis-Gabriel Guillemain Judith L. Schwartz 30. François-Joseph Gossec Judith L. Schwartz VII. Britain 31. The Symphony in Britain Simon McVeigh 32. Johann Christian Bach Adena Portowitz VIII. The Periphery 33. The Symphony on the Periphery Bertil van Boer 34. Johan Helmich Roman Bertil van Boer 35. Joseph Martin Kraus Bertil van Boer IX. Reflections 36. Sketch for a History of the Eighteenth-Century Symphonic Repertoire Mary Sue Morrow Bibliography of Works Cited Index
Acknowledgments List of Abbreviations I. Overview 1. Reclaiming the Eighteenth-Century Symphony Mary Sue Morrow 2. Historiography of the Eighteenth-Century Symphony Mary Sue Morrow 3. Eighteenth Century Viewpoints Mary Sue Morrow 4. Patrons and Practices Mary Sue Morrow II. Italy 5. The Symphony in Italy Bathia Churgin 6. The Italian Opera Sinfonia Marita Petzoldt McClymonds 7. Antonio Brioschi Sarah Mandel-Yehuda 8. Giovanni Battista Sammartini Bathia Churgin 9. Luigi Boccherini Timothy Noonan 10. Gaetano Brunetti René Ramos III. North Germany 11. The Symphony in North Germany Joanna Cobb Biermann 12. Johann Gottlob Harrer H. Todd Rober 13. Johan Agrell Jeannette Morgenroth 14. Johann Samuel Endler Joanna Cobb Biermann 15 .Carl Philipp Emanuel Bach Mary Sue Morrow IV. South Germany 16. The Symphony in South Germany Sterling E. Murray 17. Joseph and Placidus von Camerloher Suzanne Forsberg 18. Johann Stamitz Jean K. Wolf 19. Carl Cannabich Jean K. Wolf 20. Antonio Rosetti Sterling E. Murray V. Austrian Monarchy 21. The Symphony in the Austrian Monarchy Mary Sue Morrow 22. Georg Christoph Wagenseil Allan Badley 23. Carl Ditters von Dittersdorf Richard Will 24. Johann Michael Haydn Michael Ruhling 25. Karl von Ordonez Peter Alexander 26. Johann Baptist Wanhal Paul Robey Bryan 27. Ignaz Joseph Pleyel Allan Badley VI. France 28. The Symphony in France Robert O. Gjerdingen 29. Louis-Gabriel Guillemain Judith L. Schwartz 30. François-Joseph Gossec Judith L. Schwartz VII. Britain 31. The Symphony in Britain Simon McVeigh 32. Johann Christian Bach Adena Portowitz VIII. The Periphery 33. The Symphony on the Periphery Bertil van Boer 34. Johan Helmich Roman Bertil van Boer 35. Joseph Martin Kraus Bertil van Boer IX. Reflections 36. Sketch for a History of the Eighteenth-Century Symphonic Repertoire Mary Sue Morrow Bibliography of Works Cited Index
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