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The Technique of Orchestration , Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. The updated seventh edition is supported by an accompanying workbook and a robust listening program.
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The Technique of Orchestration, Seventh Edition, is the definitive textbook on the study of orchestration, offering a concise, straight-to-the-point approach that prepares students to score their own compositions with confidence. The updated seventh edition is supported by an accompanying workbook and a robust listening program.
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Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Erscheinungstermin: 20. Juni 2024
- Englisch
- ISBN-13: 9781000874099
- Artikelnr.: 70336664
- Verlag: Taylor & Francis
- Erscheinungstermin: 20. Juni 2024
- Englisch
- ISBN-13: 9781000874099
- Artikelnr.: 70336664
- Herstellerkennzeichnung Die Herstellerinformationen sind derzeit nicht verfügbar.
Kent Kennan (1913-2003) was an American composer and Professor Emeritus of Music at The University of Texas at Austin.
Donald Grantham is an award-winning composer and the Frank C. Erwin, Jr. Centennial Professor of Music at the University of Texas at Austin.
Donald Grantham is an award-winning composer and the Frank C. Erwin, Jr. Centennial Professor of Music at the University of Texas at Austin.
Chapter 1: Introduction / Chapter 2: The Strings / Chapter 3: The String Orchestra / Chapter 4: Bowing and Special Effects / Chapter 5: The Woodwinds / Chapter 6: The Woodwind Section / Chapter 7: The Horn / Chapter 8: The Trumpet, Trombone, and Tuba / Chapter 9: The Brass Section / Chapter 10: Scoring Chords for Each Section and for Orchestra / Chapter 11: Problems in Transcribing Piano Music / Chapter 12: Scoring for Woodwinds, Horns, and Strings / Chapter 13: The Percussion: Instruments of Definite Pitch / Chapter 14: The Percussion: Instruments of Indefinite Pitch / Chapter 15: The Harp, Celesta, and Piano / Chapter 16: Scoring for Full Orchestra / Chapter 17: Special Devices / Chapter 18: Infrequently Used Instruments / Chapter 19: Scoring for High School Orchestra / Chapter 20: Preparing Score and Parts / Chapter 21: Nonorchestral Instrumental Groups / Appendix A: List of Foreign Names for Instruments and Orchestral Terms / Appendix B: Ranges of Instruments / Appendix C: Electronic Instruments / Appendix D: Vocal and Choral Range / Bibliography / Index
Chapter 1: Introduction
Chapter 2: The Strings
Chapter 3: The String Orchestra
Chapter 4: Bowing and Special Effects
Chapter 5: The Woodwinds
Chapter 6: The Woodwind Section
Chapter 7: The Horn
Chapter 8: The Trumpet, Trombone, and Tuba
Chapter 9: The Brass Section
Chapter 10: Scoring Chords for Each Section and for Orchestra
Chapter 11: Problems in Transcribing Piano Music
Chapter 12: Scoring for Woodwinds, Horns, and Strings
Chapter 13: The Percussion: Instruments of Definite Pitch
Chapter 14: The Percussion: Instruments of Indefinite Pitch
Chapter 15: The Harp, Celesta, and Piano
Chapter 16: Scoring for Full Orchestra
Chapter 17: Special Devices
Chapter 18: Infrequently Used Instruments
Chapter 19: Scoring for High School Orchestra
Chapter 20: Preparing Score and Parts
Chapter 21: Nonorchestral Instrumental Groups
Appendix A: List of Foreign Names for Instruments and Orchestral Terms
Appendix B: Ranges of Instruments
Appendix C: Electronic Instruments
Appendix D: Vocal and Choral Range
Bibliography
Index
Chapter 2: The Strings
Chapter 3: The String Orchestra
Chapter 4: Bowing and Special Effects
Chapter 5: The Woodwinds
Chapter 6: The Woodwind Section
Chapter 7: The Horn
Chapter 8: The Trumpet, Trombone, and Tuba
Chapter 9: The Brass Section
Chapter 10: Scoring Chords for Each Section and for Orchestra
Chapter 11: Problems in Transcribing Piano Music
Chapter 12: Scoring for Woodwinds, Horns, and Strings
Chapter 13: The Percussion: Instruments of Definite Pitch
Chapter 14: The Percussion: Instruments of Indefinite Pitch
Chapter 15: The Harp, Celesta, and Piano
Chapter 16: Scoring for Full Orchestra
Chapter 17: Special Devices
Chapter 18: Infrequently Used Instruments
Chapter 19: Scoring for High School Orchestra
Chapter 20: Preparing Score and Parts
Chapter 21: Nonorchestral Instrumental Groups
Appendix A: List of Foreign Names for Instruments and Orchestral Terms
Appendix B: Ranges of Instruments
Appendix C: Electronic Instruments
Appendix D: Vocal and Choral Range
Bibliography
Index
Chapter 1: Introduction / Chapter 2: The Strings / Chapter 3: The String Orchestra / Chapter 4: Bowing and Special Effects / Chapter 5: The Woodwinds / Chapter 6: The Woodwind Section / Chapter 7: The Horn / Chapter 8: The Trumpet, Trombone, and Tuba / Chapter 9: The Brass Section / Chapter 10: Scoring Chords for Each Section and for Orchestra / Chapter 11: Problems in Transcribing Piano Music / Chapter 12: Scoring for Woodwinds, Horns, and Strings / Chapter 13: The Percussion: Instruments of Definite Pitch / Chapter 14: The Percussion: Instruments of Indefinite Pitch / Chapter 15: The Harp, Celesta, and Piano / Chapter 16: Scoring for Full Orchestra / Chapter 17: Special Devices / Chapter 18: Infrequently Used Instruments / Chapter 19: Scoring for High School Orchestra / Chapter 20: Preparing Score and Parts / Chapter 21: Nonorchestral Instrumental Groups / Appendix A: List of Foreign Names for Instruments and Orchestral Terms / Appendix B: Ranges of Instruments / Appendix C: Electronic Instruments / Appendix D: Vocal and Choral Range / Bibliography / Index
Chapter 1: Introduction
Chapter 2: The Strings
Chapter 3: The String Orchestra
Chapter 4: Bowing and Special Effects
Chapter 5: The Woodwinds
Chapter 6: The Woodwind Section
Chapter 7: The Horn
Chapter 8: The Trumpet, Trombone, and Tuba
Chapter 9: The Brass Section
Chapter 10: Scoring Chords for Each Section and for Orchestra
Chapter 11: Problems in Transcribing Piano Music
Chapter 12: Scoring for Woodwinds, Horns, and Strings
Chapter 13: The Percussion: Instruments of Definite Pitch
Chapter 14: The Percussion: Instruments of Indefinite Pitch
Chapter 15: The Harp, Celesta, and Piano
Chapter 16: Scoring for Full Orchestra
Chapter 17: Special Devices
Chapter 18: Infrequently Used Instruments
Chapter 19: Scoring for High School Orchestra
Chapter 20: Preparing Score and Parts
Chapter 21: Nonorchestral Instrumental Groups
Appendix A: List of Foreign Names for Instruments and Orchestral Terms
Appendix B: Ranges of Instruments
Appendix C: Electronic Instruments
Appendix D: Vocal and Choral Range
Bibliography
Index
Chapter 2: The Strings
Chapter 3: The String Orchestra
Chapter 4: Bowing and Special Effects
Chapter 5: The Woodwinds
Chapter 6: The Woodwind Section
Chapter 7: The Horn
Chapter 8: The Trumpet, Trombone, and Tuba
Chapter 9: The Brass Section
Chapter 10: Scoring Chords for Each Section and for Orchestra
Chapter 11: Problems in Transcribing Piano Music
Chapter 12: Scoring for Woodwinds, Horns, and Strings
Chapter 13: The Percussion: Instruments of Definite Pitch
Chapter 14: The Percussion: Instruments of Indefinite Pitch
Chapter 15: The Harp, Celesta, and Piano
Chapter 16: Scoring for Full Orchestra
Chapter 17: Special Devices
Chapter 18: Infrequently Used Instruments
Chapter 19: Scoring for High School Orchestra
Chapter 20: Preparing Score and Parts
Chapter 21: Nonorchestral Instrumental Groups
Appendix A: List of Foreign Names for Instruments and Orchestral Terms
Appendix B: Ranges of Instruments
Appendix C: Electronic Instruments
Appendix D: Vocal and Choral Range
Bibliography
Index