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Past Praise for Martha Rhodes's Mother Quiet: "The aim of poetry (and the higher kind of thriller) is to be unexpected and memorable. So a poem about death might treat it in a way that combines the bizarre and the banal: the Other Side as some kind of institutiona creepy hospital, an officious hotel or retirement home. Martha Rhodes takes such an approach in 'Ambassadors to the Dead,' from her abrupt, unsettling, artfully distorted, indelible new book Mother Quiet. Blending the matter-of-fact with the surreal, as a way of comprehending the stunning, final reality, Rhodes is an inheritor of…mehr

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Produktbeschreibung
Past Praise for Martha Rhodes's Mother Quiet: "The aim of poetry (and the higher kind of thriller) is to be unexpected and memorable. So a poem about death might treat it in a way that combines the bizarre and the banal: the Other Side as some kind of institutiona creepy hospital, an officious hotel or retirement home. Martha Rhodes takes such an approach in 'Ambassadors to the Dead,' from her abrupt, unsettling, artfully distorted, indelible new book Mother Quiet. Blending the matter-of-fact with the surreal, as a way of comprehending the stunning, final reality, Rhodes is an inheritor of Emily Dickinson's many poems on the same subject." Robert Pinsky, Washington Post

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Autorenporträt
Martha Rhodes is the author of four previous poetry collections: At the Gate, Perfect Disappearance, Mother Quiet, and The Beds. She teaches in the graduate program at Sarah Lawrence College and the MFA Program for Writers at Warren Wilson College, as well as The Fine Arts Work Center in Provincetown. She directs the summer Conference on Poetry at the Frost Place and is the director of Four Way Books in New York City.