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Fascinated as she was by the lives of the Brontë siblings, May Sinclair loosely based her subtly sensual, quietly insurrectionary 1914 novel The Three Sisters on the Haworth moor milieu of the three literary Brontë sisters. Alice, Gwenda, and Mary Cartaret are the daughters of the Vicar of Garth, an abusive father with rigid, selfish expectations for female behavior. Hope of rescue seems to dawn in the person of an idealistic young doctor in the village, but this is no Austen romance. Described with Edwardian restraint, it is still sexual passion that is the underlying theme of the story: the…mehr

Produktbeschreibung
Fascinated as she was by the lives of the Brontë siblings, May Sinclair loosely based her subtly sensual, quietly insurrectionary 1914 novel The Three Sisters on the Haworth moor milieu of the three literary Brontë sisters. Alice, Gwenda, and Mary Cartaret are the daughters of the Vicar of Garth, an abusive father with rigid, selfish expectations for female behavior. Hope of rescue seems to dawn in the person of an idealistic young doctor in the village, but this is no Austen romance. Described with Edwardian restraint, it is still sexual passion that is the underlying theme of the story: the rebellion of human sensuality in almost every major character in the story against the artificial constraints of conventional Society and Religion. Sinclair, herself a fascinating hybrid of Victorian and modern, shows the desperate, inertial ennui inherent in the lives of unmarried late-Victorian women dependent on their male guardians but fired by dreams and desires of their own. Sinclair's gently seditious fiction is always deeply imbued with philosophy as well as human psychology, giving it rich layers of interest.
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Autorenporträt
May Sinclair was the pseudonym of Mary Amelia St. Clair (1863 - 1946), a popular British writer who wrote about two dozen novels, short stories and poetry. She was an active suffragist and member of the Woman Writers' Suffrage League. May Sinclair was also a significant critic in the area of modernist poetry and prose and she is attributed with first using the term stream of consciousness in a literary context, when reviewing the first volumes of Dorothy Richardson's novel sequence Pilgrimage (1915-67), in The Egoist, April 1918. From 1896 Sinclair wrote professionally to support herself and her mother, who died in 1901. An active feminist, Sinclair treated a number of themes relating to the position of women and marriage. Her works sold well in the United States. Around 1913, at the Medico-Psychological Clinic in London, she became interested in psychoanalytic thought and introduced matter related to Sigmund Freud's teaching in her novels. In 1914, she volunteered to join the Munro Ambulance Corps, a charitable organization (which included Lady Dorothie Feilding, Elsie Knocker and Mairi Chisholm) that aided wounded Belgian soldiers on the Western Front in Flanders. She was sent home after only a few weeks at the front. Her 1913 novel The Combined Maze, the story of a London clerk and the two women he loves, was highly praised by critics, including George Orwell, while Agatha Christie considered it one of the greatest English novels of its time.