Christopher Marlowe

The Tragedy of Dido Queene of Carthage (eBook, ePUB)

Love, Betrayal, and Power in Elizabethan Drama

• Format: ePub

Produktbeschreibung

Christopher Marlowe's "The Tragedy of Dido Queene of Carthage" is a seminal work that intertwines exquisite poetic form with a poignant exploration of love, betrayal, and fate. Written in the late 16th century, this play adapts elements from Virgil's "Aeneid," highlighting the tragic romance between Dido, the Queen of Carthage, and the Trojan hero Aeneas. Marlowe's iambic pentameter and rich imagery elevate the narrative, drawing readers into a world where passion collides with duty. The duality of human emotion and the irreversible nature of destiny are central themes, creating a tapestry of sorrow and beauty that reflects the Renaissance's fascination with classical antiquity and the complexities of human experience. Christopher Marlowe, a contemporaneous figure of Shakespeare, was known for his innovative contributions to Elizabethan drama. His life was marked by controversy and intrigue, with his bold persona reflected in his works. Known for challenging societal norms and exploring themes of ambition and transcendence, Marlowe's own tragic fate may resonate with the characters he crafted, particularly in their struggles against overpowering forces. This edition of "The Tragedy of Dido Queene of Carthage" is highly recommended for both scholars and general readers alike, offering profound insights into the interplay of love and power. Marlowe's lyrical prowess and dramatic storytelling will leave a lasting impact, encouraging reflection on the timeless fragility of human desire.

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Produktdetails

• Verlag: Good Press
• Seitenzahl: 133
• Erscheinungstermin: 16. März 2020
• Englisch
• ISBN-13: 4064066107581
• Artikelnr.: 59303581

Autorenporträt

Christopher Marlowe, also known as Kit Marlowe (/'m¿¿rlo¿/; baptised 26 February 1564 - 30 May 1593), was an English playwright, poet and translator of the Elizabethan era.[1] Marlowe was the foremost Elizabethan tragedian of his day.[2] He greatly influenced William Shakespeare, who was born in the same year as Marlowe and who rose to become the pre-eminent Elizabethan playwright after Marlowe's mysterious early death. Marlowe's plays are known for the use of blank verse and their overreaching protagonists. Some scholars believe that a warrant was issued for Marlowe's arrest on 18 May 1593.[3] No reason was given for it, though it was thought to be connected to allegations of blasphemy-a manuscript believed to have been written by Marlowe was said to contain "vile heretical conceipts". On 20 May, he was brought to the court to attend on the Privy Council for questioning. There is no record of their having met that day and his being commanded to attend on them each day thereafter, until "licensed to the contrary". Ten days later, he was stabbed to death by Ingram Frizer. Whether or not the stabbing was connected to his arrest remains unknown Marlowe was born in Canterbury to shoemaker John Marlowe and his wife Catherine. His date of birth is not known but he was baptised on 26 February 1564 and is likely to have been born a few days before, making him two months older than William Shakespeare, who was baptised on 26 April 1564 in Stratford-upon-Avon. Marlowe attended The King's School in Canterbury (where a house is named after him) and Corpus Christi College, Cambridge, where he studied on a scholarship and received his Bachelor of Arts degree in 1584.[5] In 1587, the university hesitated to award him his Master of Arts degree because of a rumour that he intended to go to the English college at Rheims, presumably to prepare for ordination as a Roman Catholic priest. His degree was awarded on schedule when the Privy Council intervened on his behalf, commending him for his "faithful dealing" and "good service" to the Queen.[6] The nature of Marlowe's service was not specified by the Council, but its letter to the Cambridge authorities has provoked much speculation, notably the theory that Marlowe was operating as a secret agent working for Sir Francis Walsingham.[7] No direct evidence supports this theory, although the Council's letter itself is an evidence that Marlowe had served the government in some secret capacity