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The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group's live performances, showing how Garcia engineered psychic renewal by leading songs of grief, mortality, and ironic fate in a participatory theatrical context focused on catharsis through dance and communal sublime experience.
The Tragic Odes of Jerry Garcia and the Grateful Dead is a multifaceted study of tragedy in the group's live performances, showing how Garcia engineered psychic renewal by leading songs of grief, mortality, and ironic fate in a participatory theatrical context focused on catharsis through dance and communal sublime experience.
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Autorenporträt
Brent Wood is Lecturer in the Department of English and Drama, University of Toronto at Mississauga, Canada, and is the author of several articles on the music and poetry of the Grateful Dead.
Inhaltsangabe
Introduction: Mystery Dances in the Magic Theater 1 "Morning Dew" and the Greek Theatre 2 "Death Don't Have No Mercy": Catharsis and Redemption Death Don't Have No Mercy He Was a Friend of Mine Cryptical Envelopment Brokedown Palace Bird Song He's Gone 3 Befriending Chaos: "Dark Star," Dionysus and Psychedelics 4 Dancing to Fateful Folk Tales Reuben and Cherise Fennario Dire Wolf Sugaree Dupree's Diamond Blues Stagger Lee Casey Jones 5 Meditations on Mortality, from Uncle John to Stella Blue Uncle John's Band New Speedway Boogie Black Peter Loser Wharf Rat China Doll It Must Have Been the Roses Stella Blue 6 Chasing the Dragon and Escaping the Netherworld Fire on the Mountain Comes a Time Althea Black Muddy River Standing on the Moon 7 Knockin' on Heaven's Door: Dylan and Garcia It's All Over Now, Baby Blue She Belongs to Me The Mighty Quinn Knockin' on Heaven's Door Visions of Johanna 8 Is it the End or Beginning? So Many Roads Days Between Mason's Children 9 The Rebirth of Tragedy
Introduction: Mystery Dances in the Magic Theater
1 "Morning Dew" and the Greek Theatre
2 "Death Don't Have No Mercy": Catharsis and Redemption
Death Don't Have No Mercy * He Was a Friend of Mine
Introduction: Mystery Dances in the Magic Theater 1 "Morning Dew" and the Greek Theatre 2 "Death Don't Have No Mercy": Catharsis and Redemption Death Don't Have No Mercy He Was a Friend of Mine Cryptical Envelopment Brokedown Palace Bird Song He's Gone 3 Befriending Chaos: "Dark Star," Dionysus and Psychedelics 4 Dancing to Fateful Folk Tales Reuben and Cherise Fennario Dire Wolf Sugaree Dupree's Diamond Blues Stagger Lee Casey Jones 5 Meditations on Mortality, from Uncle John to Stella Blue Uncle John's Band New Speedway Boogie Black Peter Loser Wharf Rat China Doll It Must Have Been the Roses Stella Blue 6 Chasing the Dragon and Escaping the Netherworld Fire on the Mountain Comes a Time Althea Black Muddy River Standing on the Moon 7 Knockin' on Heaven's Door: Dylan and Garcia It's All Over Now, Baby Blue She Belongs to Me The Mighty Quinn Knockin' on Heaven's Door Visions of Johanna 8 Is it the End or Beginning? So Many Roads Days Between Mason's Children 9 The Rebirth of Tragedy
Introduction: Mystery Dances in the Magic Theater
1 "Morning Dew" and the Greek Theatre
2 "Death Don't Have No Mercy": Catharsis and Redemption
Death Don't Have No Mercy * He Was a Friend of Mine
3 Befriending Chaos: "Dark Star," Dionysus and Psychedelics
4 Dancing to Fateful Folk Tales
Reuben and Cherise * Fennario * Dire Wolf * Sugaree
Dupree's Diamond Blues * Stagger Lee * Casey Jones
5 Meditations on Mortality, from Uncle John to Stella Blue
Uncle John's Band * New Speedway Boogie * Black Peter * Loser
Wharf Rat * China Doll * It Must Have Been the Roses * Stella Blue
6 Chasing the Dragon and Escaping the Netherworld
Fire on the Mountain * Comes a Time * Althea
Black Muddy River * Standing on the Moon
7 Knockin' on Heaven's Door: Dylan and Garcia
It's All Over Now, Baby Blue * She Belongs to Me * The Mighty Quinn
Knockin' on Heaven's Door * Visions of Johanna
8 Is it the End or Beginning?
So Many Roads * Days Between * Mason's Children
9 The Rebirth of Tragedy
Rezensionen
For decades, scholars have found the Grateful Dead's work and example to be rich and rewarding interdisciplinary topics. Brent Wood's thoughtful exploration of the band's tragic odes and their intersection with Jerry Garcia and the Dead's complex history marks a welcome addition to the discourse, offering provocative readings of seminal songs and creative connections to a range of writers, ideas, and theories in philosophy, literary history, and cultural studies.
Nicholas Meriwether, Center for Counterculture Studies
This is a valuable book, masterfully balancing diverse topics such as the Dionysian rituals of ancient Greece, Nietzsche, the Cold War, LSD, Frankenstein, shamanism, and more in its reappraisal of Jerry Garcia's songs as "tragic odes." The Dead's story has been told many times, but this book goes beyond the usual discourse of band history and fan culture to probe into a web of fascinating intertextual and historical reference points that account for the unique catalytic power of this much beloved band. Brent Wood's writing casts the Grateful Dead's "long, strange trip" in a new light.
Kevin Holm-Hudson, University of Kentucky School of Music
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