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“The Trojan Women“ is a tragedy by the ancient Greek playwright Euripides. It was first presented at the City Dionysia of 415 BCE, along with two other unconnected tragedies, “Alexandros“ and “Palamedes“, and the comedic satyr play “Sisyphos“, all of which have since been lost to antiquity.
The play is a famous and powerful indictment of the barbarous cruelties of war. It was first produced only months after the Athenians captured the city-state of Melos, butchering its men and reducing its women to slavery, and the mood of the drama may well have been influenced by Athenian atrocities.
"The Trojan Women" follows the fates of Hecuba, Andromache, Cassandra and the other women of Troy after their city has been sacked, their husbands killed, and their remaining families about to be taken away as slaves (it runs parallel to the events in Euripides‘ play “Hecuba“). It is often considered one of Euripides‘ greatest works, and among the best anti-war plays ever written.
The play is a famous and powerful indictment of the barbarous cruelties of war. It was first produced only months after the Athenians captured the city-state of Melos, butchering its men and reducing its women to slavery, and the mood of the drama may well have been influenced by Athenian atrocities.
"The Trojan Women" follows the fates of Hecuba, Andromache, Cassandra and the other women of Troy after their city has been sacked, their husbands killed, and their remaining families about to be taken away as slaves (it runs parallel to the events in Euripides‘ play “Hecuba“). It is often considered one of Euripides‘ greatest works, and among the best anti-war plays ever written.
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Euripides (Ancient Greek: ) (ca. 480 BC406 BC) was the last of the three great tragedians of classical Athens (the other two being Aeschylus and Sophocles). Ancient scholars thought that Euripides had written ninety-five plays, although four of those were probably written by Critias. Eighteen of Euripides' plays have survived complete. It is now widely believed that what was thought to be a nineteenth, Rhesus, was probably not by Euripides. Fragments, some substantial, of most of the other plays also survive. More of his plays have survived than those of Aeschylus and Sophocles together, partly because of the chance preservation of a manuscript that was probably part of a complete collection of his works in alphabetical order.
