Rachel Stenner

The Typographic Imaginary in Early Modern English Literature (eBook, ePUB)

• Format: ePub

Produktbeschreibung

At its broadest level, this book contributes to an understanding of how printing changed early modern English literary culture. The author discusses printers' manuals, William Caxton's paratexts, Robert Copland's dramatic dialogues, the prose fictions of William Baldwin, George Gascoigne and Thomas Nashe, and the courtly poetry of Edmund Spenser. This study argues that early modern English literature engages imaginatively with printing and generates a particular aesthetic: the typographic imaginary.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 216
• Erscheinungstermin: 4. Juli 2018
• Englisch
• ISBN-13: 9781317012870
• Artikelnr.: 56888687

Autorenporträt

Rachel Stenner lectures in Renaissance Literature at the University of Sheffield, UK.

Inhaltsangabe

Contents
List of Figures v
Acknowledgements vi
Note on Quotation vii
Abbreviations viii
Introduction: Print and the Difference it Makes 1
Implications 7
Critical Mapping 16
Cases 26
Chapter 1: Instructional Texts and Print Symbolism: Christopher Plantin,
Hieronymus Hornschuch, and Joseph Moxon 51
Processes 55
People 69
Conclusion 77
Chapter 2: An Emergent Typographic Imaginary in William Caxton's Paratexts
86
Life in Literature, Diplomacy, and Commerce 88
The Benefits of Printing in Recuyell of the Historyes of Troye 90
Imagined Typographic Space 96
Reorganising Continuity: Mirrour of the World 104
Conclusion 112
Chapter 3: Robert Copland, Thomas Blague, and the Printer-Author Dialogue
124
Printer-Author Dialogue and its Mutations 126
Characterising the Printer: Gatekeepers of the Press 130
Print and Metacommunication: Uses of the Dialogue Form 145
Conclusion 153
Chapter 4: Protestant Printing and Humanism in Beware the Cat: Undoing
Printing 164
Protestant Printer and Humanist Scholar 168
Dead Bodies and Printer's Devils 174
Printing and Penning 178
Conclusion 183
Chapter 5: George Gascoigne and Richard Tottel: Negotiating Manuscript and
Print in the Poetic Miscellany 193
Typographic Value in the Prefatory Poses of A Hundreth Sundrie Flowres 199
The Benefits of Printing in The Posies of George Gascoigne Esquire 209
Conclusion 215
Chapter 6: Edmund Spenser's Early and Mid Career: Public Image and Machine
Horror
223
Early Career Self-Presentation: The Shepeardes Calender and Three Proper,
and Wittie, Familiar Letters 225
Monstrous Typographic Fertility in The Faerie Queene 232
Resonant Errour in 'The Teares of the Muses' 244
Conclusion 247
Chapter 7 St Paul's Churchyard and the Meanings of Print: Pierce Penilesse
His Supplication to the Divell 259
Nashe's Mosaic of the Print Trade 266
Waste and Matter 274
The Figurative Authority of Print 280
Conclusion 282
Conclusion: Love and Loathing in Grub Street 289