The Universe a Vast Electric Organism (eBook, ePUB) - W. Warder, Geo.
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George Woodward Warder (1848–1907) was a poet, philosopher and author from Missouri, USA. Warder also developed his own cosmology theory, he authored The New Cosmogony (1898), Invisible Light, or Electric Theory of Creation (1899), The Cities of the Sun (1901), The Stairway to the Stars (1902), The Universe a Vast Electric Organism (1903). Warder believed that the universe was an electrical creation and that electricity plays a more important role in the universe than is generally accepted, his views can be seen as a predecessor to plasma cosmology

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Produktbeschreibung
George Woodward Warder (1848–1907) was a poet, philosopher and author from Missouri, USA. Warder also developed his own cosmology theory, he authored The New Cosmogony (1898), Invisible Light, or Electric Theory of Creation (1899), The Cities of the Sun (1901), The Stairway to the Stars (1902), The Universe a Vast Electric Organism (1903). Warder believed that the universe was an electrical creation and that electricity plays a more important role in the universe than is generally accepted, his views can be seen as a predecessor to plasma cosmology
Autorenporträt
Geo. W. Warden, a figure not widely known in the mainstream literary canon, emerged in the early 20th century as a proponent of unconventional scientific theories. Not much is documented about Warder's personal life or academic credentials, leading to a somewhat enigmatic legacy. His work, 'The Universe a Vast Electric Organism' published in 1903, exemplifies his unorthodox approach to science and philosophy. In this book, Warder presents a holistic view of the cosmos, arguing for an electrically interconnected universe that defied the prevailing mechanistic models of his time. While his ideas did not gain substantial traction within the scientific community, they contributed to the speculative discourse surrounding cosmology and electrical physics during a period rich with discovery and innovation. Warder's writing displays a characteristic blend of scientific enthusiasm and metaphysical speculation, sharing resonances with the naturphilosophie tradition and foreshadowing later interests in the interplay between science and spirituality. Despite being on the periphery of scientific thought, Warder's work is a testament to the diverse array of intellectual explorations that characterized the late 19th and early 20th centuries, a period of profound transformation in understanding the natural world.