10,79 €
10,79 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
10,79 €
10,79 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
Als Download kaufen
10,79 €
inkl. MwSt.
Sofort per Download lieferbar
payback
0 °P sammeln
Jetzt verschenken
10,79 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
0 °P sammeln
  • Format: ePub

This new collection of rare and unpublished writing by the cult 1960s author Ann Quin explores the risks and seductions of going over the edge. The stories cut an alternative path across innovative twentieth-century writing, bridging the world of Virginia Woolf and Anna Kavan with that of Kathy Acker and Chris Kraus.

  • Geräte: eReader
  • ohne Kopierschutz
  • eBook Hilfe
  • Größe: 1.17MB
Produktbeschreibung
This new collection of rare and unpublished writing by the cult 1960s author Ann Quin explores the risks and seductions of going over the edge. The stories cut an alternative path across innovative twentieth-century writing, bridging the world of Virginia Woolf and Anna Kavan with that of Kathy Acker and Chris Kraus.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Ann Quin was a British writer, born in Brighton in 1936. Prior to her death in 1973, she published four novels: Berg (1964), Three (1966), Passages (1969), and Tripticks (1972). During her writing career, she lived between Brighton, London and the United States. She was prominent amongst a group of British experimental writers of the 1960s, which also included BS Johnson and Christine Brooke-Rose.
Rezensionen
One of the few mid-century British novelists who actually, in the long term, matter.' Tom McCarthy 'Ann Quin is a master painter of interiors, of voices that mosaic as they catch the light at strange, stirring angles.' Chloe Aridjis'Quin understood she was on to something new and she took herself seriously, in the right way; she had a serious sense of her literary purpose.' Deborah Levy'She is one of our greatest ever novelists. Ann Quin's was a new British working-class voice that had not been heard before: it was artistic, modern, and dare I say it ultimately European.' The Guardian'Quin works over a small area with the finest of tools... every page, every word gives evidence of her care and workmanship.' New York Times