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Mystery novel by E. Phillips Oppenheim involving a handicapped art collector. The book concerns recently demobbed and down on his luck Major Owston, who becomes the bodyguard of the deformed amoral art collector Martin Hews. Enabled by his enormous wealth to buy the world’s most beautiful works of art. Hews is plunged into a bitter rivalry with a gang leader simply known as „Joseph”. This is a thrilling and tense story of a struggle between master brains, of gang wars, of deceit, of murder, while the sinister Martin Hews sits in his fortified treasure house, and the love story of Beatrice…mehr
Mystery novel by E. Phillips Oppenheim involving a handicapped art collector. The book concerns recently demobbed and down on his luck Major Owston, who becomes the bodyguard of the deformed amoral art collector Martin Hews. Enabled by his enormous wealth to buy the world’s most beautiful works of art. Hews is plunged into a bitter rivalry with a gang leader simply known as „Joseph”. This is a thrilling and tense story of a struggle between master brains, of gang wars, of deceit, of murder, while the sinister Martin Hews sits in his fortified treasure house, and the love story of Beatrice lends romance and beauty. It presents a fascinating picture of unexpected turns and twists.
Phillips Oppenheim was born on October 22, 1866, in Tohhenham, London, England, to Henrietta Susannah Temperley Budd and Edward John Oppenheim, a leather retailer. After leaving school at age 17, he helped his father in his leather business and used to write in his extra time. His first novel, Expiration (1886), and subsequent thrillers piqued the interest of a wealthy New York businessman who eventually bought out the leather business and made Oppenheim a high-paid director.He is more focused on dedicating most of his time to writing. The novels, volumes of short stories, and plays that followed, numbering more than 150, were about humans with modern heroes, fearless spies, and stylish noblemen. The Long Arm of Mannister (1910), The Moving Finger (1911), and The Great Impersonation (1920) are three of his most famous essays.
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