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Bryce Walton (May 31, 1918 - February 5, 1988) was an American pulp fiction writer. He was credited as a writer for the TV serial Captain Video and His Video Rangers. In 1961, he won the Alfred Hitchcock Best Short Story award. He wrote three episodes of Alfred Hitchcock Presents, and two of his stories were adopted for the series, including "The Greatest Monster of Them All". This is one of his stories.

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Produktbeschreibung
Bryce Walton (May 31, 1918 - February 5, 1988) was an American pulp fiction writer. He was credited as a writer for the TV serial Captain Video and His Video Rangers. In 1961, he won the Alfred Hitchcock Best Short Story award. He wrote three episodes of Alfred Hitchcock Presents, and two of his stories were adopted for the series, including "The Greatest Monster of Them All". This is one of his stories.

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Autorenporträt
Bryce Walton was an American author and screenwriter, known for his contributions to the science fiction genre, particularly during the mid-20th century. His work spans both short stories and novels, with a focus on suspense, action, and speculative themes. His writing explored a wide range of other themes, including the consequences of technological advancement, interplanetary conflict, rebellion, and the moral complexities of human nature. Walton's narratives typically centered on ordinary individuals caught in extraordinary situations, often dealing with political intrigue, alien encounters, and the ethical dilemmas of survival in dystopian settings. His stories, such as Design for Doomsday and Savage Galahad, showcase his ability to create high-stakes, action-driven plots while still addressing deep philosophical and social questions. His works often included philosophical reflections on the nature of freedom, the costs of progress, and the role of individual choice in a rapidly changing world. Walton's contribution to the genre remains significant for its exploration of complex moral and societal questions through gripping, thought-provoking narratives. His stories reflect the anxieties and possibilities of the mid-20th century, making them resonate with readers interested in the intersection of technology, humanity, and the unknown.