Alan Bermingham, Ed Boyce, Ken Angold-Stephens, Michael Talbot-Smith

The Video Studio (eBook, ePUB)

• Format: ePub

Produktbeschreibung

The Video Studio shows how to estimate the scale of investment required and, depending on the nature and frequency of use of the facility, the layout of technical areas and the function of the main items of equipment is described in easy to understand language. In short this is a nuts and bolts approach to planning and operating a studio of 150 square metres or less. Completely updated to take account of all the recent technological advances which have taken place, the book now covers: DAT, timecode, digital compression, non-linear editing and all current digital video formats. Keep up to date with information on new technologies including, Time Code, Digital Compression, All current digital video formats Learn all you need to know to set up your own video studio

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 192
• Erscheinungstermin: 17. Oktober 1994
• Englisch
• ISBN-13: 9781136049859
• Artikelnr.: 44474835

Autorenporträt

Alan Bermingham, Michael Talbot-Smith, Ken Angold-Stephens, Ed Boyce

Inhaltsangabe

Introduction
Chapter 1 Studio: Initial Planning
Chapter 2 Studio Facilities
Chapter 3 Layout of Control Areas
Chapter 4 Studio Construction
Chapter 5 Studio General Services
Chapter 6 Studio Sound Insulation
Chapter 7 Studio Acoustics
Chapter 8 Studio Ventilation
Chapter 9 Studio Scenery
Chapter 10 Studio Cyclorama
Chapter 11 Technical Equipment Store
Chapter 12 Make-up
Chapter 13 Costume
Chapter 14 Equipment Maintenance Area
Chapter 15 Safety in the Studio
Chapter 16 The Vision System
Chapter 17 Choice of Camera System
Chapter 18 Picture Generation
Chapter 19 Camera Lenses
Chapter 20 Choice of Lens
Chapter 21 Camera Mountings
Chapter 22 Camera Cables and Cabling Points
Chapter 23 Vision and Lighting Control Area
Chapter 24 Signal Processing (Camera Control Unit)
Chapter 25 Line-up of Camera Channels
Chapter 26 Vision Control
Chapter 27 Monitoring the Vision Signal
Chapter 28 Picture Monitors: Monochrome
Chapter 29 Picture Monitors: Colour
Chapter 30 Synchronisation
Chapter 31 Vision Signal Distribution
Chapter 32 Production Control Room
Chapter 33 Vision Mixer or Switcher: Function
Chapter 34 Vision Mixer: General Facilities
Chapter 35 Vision Mixer: Special Effects
Chapter 36 Other Analogue Vision Facilities
Chapter 37 Digital Video Technology
Chapter 38 Television Prompters
Chapter 39 Graphics
Chapter 40 Lighting: Overall System
Chapter 41 Simple Lighting Supports
Chapter 42 Lighting Suspension Systems
Chapter 43 Lighting: Outlets and Dimmers
Chapter 44 Lighting: General-purpose Luminaires
Chapter 45 Lighting: Special Luminaires
Chapter 46 Lighting: Fluorescent Lights
Chapter 47 Lighting Control: Dimmers (Analogue)
Chapter 48 Lighting Control: Dimmers (Digital)
Chapter 49 Lighting Console
Chapter 50 Microphone Assessment
Chapter 51 Microphone Categories
Chapter 52 Sound Pick-up
Chapter 53 Radio Microphone
Chapter 54 Sound Mixing Consoles
Chapter 55 Sound Mixing Console: Outputs
Chapter 56 Monitoring Sound Levels
Chapter 57 Automatic Level Control
Chapter 58 Frequency Correction
Chapter 59 Artificial Reverberation
Chapter 60 Loudspeakers
Chapter 61 Audio Tape Recorders (Analogue)
Chapter 62 Audio Noise Reduction Systems
Chapter 63 Digital Audio
Chapter 64 Digital Tape Recording
Chapter 65 Compact Discs
Chapter 66 Sound Perspective
Chapter 67 Sound and Audience Participation
Chapter 68 Sound Effects Sources
Chapter 69 Talkback in the Studio
Chapter 70 Communication in the Studio Complex
Chapter 71 Telecine
Chapter 72 The Videotape Facility
Chapter 73 Videotape Recorders
Chapter 74 Basic Operational Requirements of VTR
Chapter 75 Videotape Editing
Chapter 76 VT Edit Systems
Chapter 77 Non-linear Editing Systems
Chapter 78 Post-production Suites
Chapter 79 Sound Dubbing
Chapter 80 Programme and Production Planning
Chapter 81 Studio Discipline
Chapter 82 Staffing and Responsibilities
Chapter 83 On Location: Main Requirements
Chapter 84 On Location: Lighting and Accessories
Chapter 85 On Location: Using Microphones
Chapter 86 On Location: Camera Mountings