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  • Format: ePub

A Vietnam veteran stalks a teenage boy through the summer night. A magical ring infects a community of farm workers with nightmares. A first meeting with a man's father-in-law at an expensive restaurant turns into a celebration of bloodshed. In the endless cubicles of a state bureaucracy, another man mysteriously ceases to exist. These are a few of the stories that comprise this extraordinary collection in which acclaimed author Geronimo Tagatac explores themes of culture and identity, belonging and alienation. Through the eyes of returning Vietnam veterans, migrant laborers, immigrants, and…mehr

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Produktbeschreibung
A Vietnam veteran stalks a teenage boy through the summer night. A magical ring infects a community of farm workers with nightmares. A first meeting with a man's father-in-law at an expensive restaurant turns into a celebration of bloodshed. In the endless cubicles of a state bureaucracy, another man mysteriously ceases to exist. These are a few of the stories that comprise this extraordinary collection in which acclaimed author Geronimo Tagatac explores themes of culture and identity, belonging and alienation. Through the eyes of returning Vietnam veterans, migrant laborers, immigrants, and civil servants, Tagatac delves into the experience of being an outsider with a rare candor and insight. Tagatac draws from his diverse experience to deliver narratives that are at once spare and eloquent, vividly capturing the terror of jungle combat as well as the painful flush of first love. In these short, unflinching, deeply felt tales, rifts are not always healed. Unbridgeable gaps remain between people and between worlds - sometimes deliberately, sometimes despite everything. Driven by the honesty of self-appraisal and joy for life that is evident in every line, The Weight of the Sun reveals to us that it is as much through our failures in trying to bridge these gaps as through our successes that we come to discover the best parts of ourselves.

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Autorenporträt
Geronimo Tagatac, after returning from Vietnam, began to write on scraps of paper as a way to deal with the strong ideas that would come into his head. At first, his writing was without form or direction. When he moved, he would throw the scrap piles out. Then he began to write on napkins in coffee shops, stuff them in envelopes, and send his thoughts to his friends. Eventually he started to keep a journal. He finally took a writing class and within a few years, he began publishing his stories in magazines. In 1997, Tagatac was awarded the Oregon Literary Arts Fellowship and in the summers of 2001 and 2003, he was invited to teach at the Fishtrap Fellowship.