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  • Format: ePub

Dare to be weird. You can do anything you want. You just have to do it. You can't sit on your couch and watch TV and say,"Hey, that looks like fun." or "You know, I've always wanted to do that." While you continue eating popcorn. When you can be the one actually doing it. All you have to do is put yourself out there and DO IT. I hope the lessons I talk about and stories I tell in this book show you that. My goal is for YOU to want to become the best version of YOU possible. Dare To Be an Outlaw. Dare to be "The Weird One."

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Produktbeschreibung
Dare to be weird. You can do anything you want. You just have to do it. You can't sit on your couch and watch TV and say,"Hey, that looks like fun." or "You know, I've always wanted to do that." While you continue eating popcorn. When you can be the one actually doing it. All you have to do is put yourself out there and DO IT. I hope the lessons I talk about and stories I tell in this book show you that. My goal is for YOU to want to become the best version of YOU possible. Dare To Be an Outlaw. Dare to be "The Weird One."


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Autorenporträt
Michael Scott is Fellow and Senior Dean at Blackfriars Hall Oxford. He is the author of books on Shakespeare, Elizabethan / Jacobean and Twentieth Century Theatre, including 'John's Marston's Plays: Theme, Structure and Performance'; 'Renaissance Drama and a Modern Audience'; 'Shakespeare and the Modern Dramatist'; 'Shakespeare's Tragedies: All that Matters'; 'Shakespeare's Comedies: All that Matters'; 'Shakespeare: A Complete Introduction'. He was founding and general editor of 'The Text and Performance' series and of 'The Critics Debate' series. He is also co-editor of the 'Casebook on Harold Pinter: The Birthday Party, The Caretaker, The Homecoming'. With Deborah Cartmell, he co-edited 'Talking Shakespeare: Shakespeare into the Millennium'. He was on the editorial board, which relaunched 'Critical Survey' for O.U.P. He has lectured on Shakespeare in many countries around the world including India, China, U.S.A. as well as in the U.K., where he has given public lectures for the R.S.C. and the National Theatre. He also writes fiction under the name of Michael Kerr Scott.