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  • Format: ePub

**SHORTLISTED FOR THE WALTER SCOTT PRIZE 2019**
15th century Oakham, in Somerset; a tiny village cut off by a big river with no bridge. When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can't?
Moving back in time towards the moment of Thomas Newman's
…mehr

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Produktbeschreibung
**SHORTLISTED FOR THE WALTER SCOTT PRIZE 2019**

15th century Oakham, in Somerset; a tiny village cut off by a big river with no bridge. When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can't?

Moving back in time towards the moment of Thomas Newman's death, the story is related by Reve - an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.


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Autorenporträt
SAMANTHA HARVEY is the author of three novels, Dear Thief, All Is Song, and The Wilderness, which won the Betty Trask Prize. Her books have been shortlisted for the Orange Prize for Fiction, the Guardian First Book Award, and the James Tait Black Prize, as well as longlisted for the Man Booker Prize and the Baileys Women's Prize. She lives in Bath, UK, and teaches creative writing at Bath Spa University.
Rezensionen
My Ancient Mariner novel, the book I'm destined to traipse around fervently pressing into people's hands . . . [The Western Wind is a] breathtaking exploration of guilt, communal and individual, secrecy and power . . . It made me gasp, and when I'd finished it, I started it again. Alex Clark Times Literary Supplement __Books of the Year 2018__