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E. Pauline Johnson's 'The White Wampum' is a collection of poignant poems that explore the intersection of Indigenous and settler cultures during the late 19th century. Johnson's lyrical style beautifully depicts the struggles and triumphs of the Mohawk people, offering insight into the complexities of relationships between different communities. The poetic imagery and themes of nature and spirituality add depth to the overarching narrative of cultural exchange and identity. Written with sensitivity and authenticity, 'The White Wampum' stands as a powerful testament to Johnson's unique…mehr

Produktbeschreibung
E. Pauline Johnson's 'The White Wampum' is a collection of poignant poems that explore the intersection of Indigenous and settler cultures during the late 19th century. Johnson's lyrical style beautifully depicts the struggles and triumphs of the Mohawk people, offering insight into the complexities of relationships between different communities. The poetic imagery and themes of nature and spirituality add depth to the overarching narrative of cultural exchange and identity. Written with sensitivity and authenticity, 'The White Wampum' stands as a powerful testament to Johnson's unique perspective as a biracial author. Her ability to navigate the complexities of her dual heritage shines through in each verse, making the collection a compelling read for those interested in Canadian Indigenous literature. E. Pauline Johnson's 'The White Wampum' is a must-read for anyone seeking a deeper understanding of the cultural landscape of the late 19th century and the enduring legacy of Indigenous voices in Canadian literature.
Autorenporträt
E. Pauline Johnson (1861-1913) was a Canadian poet and actress. Also known by her stage name Tekahionwake, Johnson was born to an English mother and a Mohawk father in Six Nations, Ontario. Johnson suffered from illness as a child, keeping her from school and encouraging her self-education through the works of Longfellow, Tennyson, Browning, Byron, and Keats. Despite the racism suffered by Canada's indigenous people, Johnson was encouraged to learn about her Mohawk heritage, much of which came from her paternal grandfather John Smoke Johnson, who shared with her and her siblings his knowledge of the oral tradition of their people. In the 1880s, Johnson began acting and writing for small theater productions, finding success in 1892 with a popular solo act emphasizing her duel heritage. In these performances, Johnson would wear both indigenous and Victorian English costumes, reciting original poetry for each persona. As a poet, she wrote prolifically for such periodicals as Globe and Saturday Night, publishing her first collection, The White Wampum, in 1895. Her death at the age of 52 prompted an outpouring of grief and celebration in Canada; at the time, Johnson's funeral was the largest in Vancouver history, attracting thousands of mourners from all walks of life.