G. K. Chesterton

The Wild Knight and Other Poems (eBook, ePUB)

Whimsical Verses of Chivalry and Faith: A Collection of Satirical and Philosophical Poetry

• Format: ePub

Produktbeschreibung

G. K. Chesterton's 'The Wild Knight and Other Poems' is a collection of poems that embody the essence of the author's unique literary style - a blend of whimsy, wit, and profound philosophical insights. Chesterton's poems often explore themes of chivalry, faith, and the human experience with a satirical touch. Written in the late 19th and early 20th centuries, these poems reflect the literary context of the time, showcasing Chesterton's mastery of language and creativity. The collection includes some of his most beloved works, such as 'The Donkey' and 'The Ballad of the White Horse.' Chesterton's use of vivid imagery and clever wordplay make these poems a delight to read for enthusiasts of both poetry and literature in general. G. K. Chesterton, a prolific writer and literary critic, was known for his sharp insights and unconventional thinking. His background in journalism and love for literature led him to explore various genres, including poetry, where he left an indelible mark. Chesterton's deep understanding of human nature and his keen observation of the world around him shine through in 'The Wild Knight and Other Poems,' showcasing his enduring influence in the literary world. Recommendation: 'The Wild Knight and Other Poems' is a must-read for anyone interested in experiencing the brilliance of G. K. Chesterton's poetic talent and unique perspective. Whether you are a fan of poetry or simply enjoy thought-provoking literature, this collection will captivate you with its charm and depth.

Produktdetails

• Verlag: Good Press
• Seitenzahl: 130
• Erscheinungstermin: 4. Dezember 2019
• Englisch
• ISBN-13: 4057664586964
• Artikelnr.: 58716847

Autorenporträt

Gilbert Keith Chesterton, (29 May 1874 - 14 June 1936), was an English writer, poet, philosopher, dramatist, journalist, orator, lay theologian, biographer, and literary and art critic. Chesterton is often referred to as the "prince of paradox".Time magazine has observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories-first carefully turning them inside out. Chesterton is well known for his fictional priest-detective Father Brown,[5] and for his reasoned apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man.[4][6] Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius."[4] Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton was born in Campden Hill in Kensington, London, the son of Marie Louise, née Grosjean, and Edward Chesterton.[8][9] He was baptised at the age of one month into the Church of England,[10] though his family themselves were irregularly practising Unitarians.[11]According to his autobiography, as a young man Chesterton became fascinated with the occultand, along with his brother Cecil, experimented with Ouija boards. Chesterton was educated at St Paul's School, then attended the Slade School of Art to become an illustrator. The Slade is a department of University College London, where Chesterton also took classes in literature, but did not complete a degree in either subject. In September 1895 Chesterton began working for the London publisher Redway, where he remained for just over a year.[14] In October 1896 he moved to the publishing house T. Fisher Unwin,[14] where he remained until 1902. During this period he also undertook his first journalistic work, as a freelance art and literary critic. In 1902 the Daily News gave him a weekly opinion column, followed in 1905 by a weekly column in The Illustrated London News, for which he continued to write for the next thirty years.