Stacy Schiff

The Witches (eBook, ePUB)

Salem, 1692: A History

• Format: ePub

Produktbeschreibung

'An oppressive, forensic, psychological thriller: J.K. Rowling meets Antony Beevor, Stephen King and Marina Warner ... Schiff's writing is to die for' THE TIMES

It began in 1692, over an exceptionally raw Massachusetts winter, when a minister's niece started to scream and convulse. It ended less than a year later, but not before panic had infected the entire colony, nineteen men and women had been hanged, and a band of adolescent girls had brought Massachusetts to its knees.

Vividly capturing the dark, unsettled atmosphere of seventeenth-century America, Stacy Schiff's magisterial history draws us into this anxious time. She shows us how quickly the epidemic of accusations, trials, and executions span out of control. Above all, Schiff's astonishing research reveals details and complexity that few other historians have seen.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Orion
• Erscheinungstermin: 29. Oktober 2015
• Englisch
• ISBN-13: 9781474602273
• Artikelnr.: 43983222

Autorenporträt

Stacy Schiff is the author of Véra (Mrs. Vladimir Nabokov), winner of the Pulitzer Prize; Saint-Exupéry, a Pulitzer Prize finalist; A Great Improvisation: Franklin, France, and the Birth of America, winner of the George Washington Book Prize and the Ambassador Book Award; Cleopatra: A Life, winner of the PEN/Jacqueline Bograd Weld Award for biography; and  The Witches: Salem, 1692. Schiff has received fellowships from the Guggenheim Foundation, the National Endowment for the Humanities, the American Academy of Arts and Letters, and the Center for Scholars and Writers at the New York Public Library. A member of the American Academy of Arts and Letters and named a Chevalier des Arts et Lettres by the French Government, she lives in New York City.

Rezensionen

Stacy Schiff's The Witches deals with a horror we assume we know, but don't: the moral panic that tore apart the towns of Massachusetts in the seventeenth century. Adolescent girls, denouncing their neighbours, began a fashion for denunciation; it resulted in nineteen hangings, in torture, in the fracture of families and communities, and in the spectacle of a seven-year-old kept in miniature manacles. Was it like The Crucible? No, it was worse. Arthur Miller used the Salem story as a metaphor for the McCarthy era's paranoia. But using the past as stand-in for the present often sells it short, and gives its complexities permission to elude us. Context is everything, and Schiff defines it; she interrogates her sources, makes every detail count, and her style is intriguing - sharp-eyed, discriminating, crisp. You want to understand the subject, and you want to meet the historian. Hilary Mantel TIMES LITERARY SUPPLEMENT