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In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.…mehr
In recent years, historical witnessing has emerged as a category of "museum object." Audiovisual recordings of interviews with individuals remembering events of historical importance are now integral to the collections and research activities of museums. They have also become important components in narrative and exhibition design strategies. With a focus on Holocaust museums, this study scrutinizes for the first time the new global phenomenon of the "musealization" of the witness to history, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits.
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Autorenporträt
Steffi de Jong is a post-doctoral researcher at the University of Cologne's Institute for Contemporary History. She obtained her doctorate from the Norwegian University of Science and Technology in Trondheim and has held positions at the Humboldt-Universität in Berlin and Maastricht University. Her publications include articles in the International Handbook of Museum Studies and WerkstattGeschichte.
Inhaltsangabe
List of Illustrations Acknowledgements Notes on the Text Introduction Chapter 1. The Witness to History: Conceptual Clarifications Chapter 2. Genealogy: The Mediation of the Witness to History as a Carrier of Memory Chapter 3. Collecting: Turning Communicative Memory into Cultural Memory Chapter 4. Exhibiting: The Witness to History as a Museum Object Chapter 5. Communicating: Witnesses to History as Didactic Tools Conclusion Bibliography Index
List of Illustrations Acknowledgements Notes on the Text Introduction Chapter 1. The Witness to History: Conceptual Clarifications Chapter 2. Genealogy: The Mediation of the Witness to History as a Carrier of Memory Chapter 3. Collecting: Turning Communicative Memory into Cultural Memory Chapter 4. Exhibiting: The Witness to History as a Museum Object Chapter 5. Communicating: Witnesses to History as Didactic Tools Conclusion Bibliography Index
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