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  • Format: ePub

Clifford Flush founded the Asterisk Club in Chelsea to provide a home for wrongfully acquitted murderers, being one himself. Qualified prospective members need only name the club as beneficiary in their wills in order to avail themselves of its comforts and unique services.
Unfortunately, there isn't room for Benjamin Cann, a gentleman's outfitter newly acquitted of murdering his mistress. So Flush arranges for Benjamin to be temporarily quartered next door in a rat-infested house inhabited by two artistic couples. When Benjamin and a female member of the Asterisk Club turn up dead, the two…mehr

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Produktbeschreibung
Clifford Flush founded the Asterisk Club in Chelsea to provide a home for wrongfully acquitted murderers, being one himself. Qualified prospective members need only name the club as beneficiary in their wills in order to avail themselves of its comforts and unique services.

Unfortunately, there isn't room for Benjamin Cann, a gentleman's outfitter newly acquitted of murdering his mistress. So Flush arranges for Benjamin to be temporarily quartered next door in a rat-infested house inhabited by two artistic couples. When Benjamin and a female member of the Asterisk Club turn up dead, the two households both have reason to avoid the police and dispose of the bodies ...

'Ingenious and successful farce' Sunday Times


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Autorenporträt
Pamela Branch (1920-1967) was born on a tea estate in Sri Lanka. She was educated in England, studied art in Paris, and attended the Royal Academy of Dramatic Art in London. Returning to the East, she lived for three years on a houseboat in Kashmir, and travelled extensively in Europe, India and the Middle East. According to her more famous contemporary Christianna Brand, she was 'the funniest lady you ever knew'; she adored practical jokes, of which she had a seemingly endless store, and the contemporary press lavishly praised her wit. The Sunday Times stated that 'even the bodies manage to be ghoulishly diverting' and the Times Literary Supplement compared her third novel, Murder Every Monday, to the work of Evelyn Waugh. She married twice, was, according to her friends, entertaining, glamorous, beautiful and charming, and the greatest mystery of her work is why it has not received more recognition since her untimely death from cancer at the age of forty-seven.