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Edited by Kamalakar Bhat, this book brings together Prof Shivaprakash's interventions in the realm of issues that are entwined with the continuities and discontinuities in the cultural negotiations of India.
Edited by Kamalakar Bhat, this book brings together Prof Shivaprakash's interventions in the realm of issues that are entwined with the continuities and discontinuities in the cultural negotiations of India.
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H S Shivaprakash is poet, playwright, translator, and is one among the prominent literary figures in contemporary India. Recognized as a fresh voice in Kannada Literature at a young age, he eventually became an eminent bilingual poet and translator across multiple languages. As a renowned scholarly authority on Kannada Vachana literature, Sufism, Indian Bhakti traditions, and mystic symbolism, his literary prowess lies in reinventing the aesthetic elements in Indian mysticism. His first play titled Mahachaitra was published in 1986, followed by a stage adaption. He has received several accolades for his contributions to Indian Literature and Aesthetics, including the Sahitya Akademi Award. Apart from publishing anthologies of poems in different languages, plays, and books, he is also a prolific translator credited with translating Shakespeare's plays into Kannada. Presently, he is a Professor at School of Arts and Aesthetics, JNU and the Director of the Cultural Centre at Berlin, known as the Tagore Centre.
Kamalakar Bhat is Associate Professor at the Postgraduate Department of English at Ahmednagar College, Ahmednagar, Maharashtra. He is a bilingual writer and a translator between Kannada, English, and Marathi. His publications include three collections of poems in Kannada, the first Churuparu Reshime appeared in 2006 and won the Pu Ti Na Award for Best Book. The second, Mugiyada Madhyahna appeared in 2010 and the third, Jagada Jate Matu Kate was published in 2017. He has translated into English the poetry of several contemporary Kannada poets including S Manjunath, Jayant Kaikini, Abdul Rashid, N K Hanumantayya, K Sharifa, Mogalli Ganesh, and H S Anupama. He has also translated the poetry of the iconic Marathi Dalit poet Namdev Dhasal and published a reader on him in Kannada.
Inhaltsangabe
Acknowledgements
Preface
Foreword
Introduction
The Bhakti World
1 Transmutations of Desire and Power in Bhakti Expressions
2 Bhakti Poetics: An Example from Kannada Vachanas
3 Transformations of the Hero in Medieval Indian Literatures
4 The Poetics and Aesthetics of Labour
5 Fight for Symbols in the History of Religions in Medieval South India: The Karnataka Example
6 Dasimiah - The Divine Weaver
7 Journeying to Kalyana
8 From Temple to Body-temple: Kannada transformations of Tamil Shaivism
9 What Were You Before I Knew Myself? - Notes on De-creation and Recreation of Virashaiva Myths in
Cultures of Karnataka
The Kannada World
10 Rethinking Medieval Kannada Literature
11 Contributions of Karnataka Devotional Movements to the Creation of New Theatres
12 Migration of Karaga from Tamil Nadu Karnataka
13 Modernism and After: Some Reflections on Contemporary Kannada Poetry
14 KSNa: The Heart-Bee has Flown . . . Do Not Ask Me Where
The World of Drama
15 The Search for the New in Indian Drama and Theatre
16 Rasa Production: A Poet's Perspective
17 Theatre as Performed Literature?
18 The Evolution of Modern Indian theatre
19 Shakespeare and the Indian Theatre Tradition
20 The Regional, the National, and the International in Theatre
21 Manipuri Theatre: Myth and Reality
22 Metamorphosis of Poetry on Stage
23 The life and Death of White Desdemona and Black Othello: Through Abhinava Kalidasa - A Re-interpretation
The World of Indian Cultures and Literatures
24 Currents and Cross-currents of South Indian Cultures
25 Dynamics of Pre-modern South Indian Culture
26 Through Each Other's Eyes: Rodin and Nataraja
27 Indian Culture beyond India
28 Contemporary Indian Literatures
29 Dreaming Indian Literatures Anew
30 Exploring Unchartered Territories of Indian Literature
31 Changing the Sun: Notes on Modernity, Modernism and After in Indian Literatures
