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Van Morrison is primal but sophisticated; he's accessible but inscrutable; he's a complex songwriter and a raw blues shouter; he's a steady influence on the musical scene but wildly unpredictable as well, and it's these complex and often conflicting qualities that make him such a compelling subject for the Singer-Songwriter series. Journalist Erik Hage here eschews a cold, empirical study of structures and influence, and seeks instead more natural and intuitive means of appreciating all that is unique, eclectic, and surprising about Van Morrison's impressive output. In addition to covering…mehr
Van Morrison is primal but sophisticated; he's accessible but inscrutable; he's a complex songwriter and a raw blues shouter; he's a steady influence on the musical scene but wildly unpredictable as well, and it's these complex and often conflicting qualities that make him such a compelling subject for the Singer-Songwriter series. Journalist Erik Hage here eschews a cold, empirical study of structures and influence, and seeks instead more natural and intuitive means of appreciating all that is unique, eclectic, and surprising about Van Morrison's impressive output. In addition to covering almost all of Van Morrison's musical work and offering new readings of many iconic songs, Hage also provides a biographical introduction and a complete discography that can help listeners find new perspective on Morrison's body of work. Even in his darkest and most naked moments-in Astral Weeks for instance-Van Morrison's songs can still suggest something uplifting. Sometimes these two poles are present simultaneously, and at other times they each find distinct expression in a different musical moment. Even on his first solo album, Blowin' Your Mind (which contained the iconic Brown-Eyed Girl) Van Morrison was wrestling with something thornier and deeper, as evidenced by the wrenching T.B. Sheets - a nine-minute opus about the discomfort of visiting a lover in a small room as she lies in bed, wracked with Tuberculosis. Those two songs, at artistic odds with each other and on the same album, are representative of the oppositional forces that fuel much of his work. Hage here provides a guide through all the layers of emotional meaning and musical resonance present in Morrison's work.
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Autorenporträt
Erik Hage is a widely published music journalist and Assistant Professor of Journalism, Mass Media, and Cultural Criticism at SUNY Cobleskill. He is a contributing writer to The All-Music Guide to Rock (2002), The All-Music Guide to the Blues (2003), The All-Music Guide to Country (2003), The All-Music Guide to Hip-Hop (2003). He has also penned several hundred entries for Allmusic.com, and is a columnist and feature writer for Metroland, the alternative newsweekly of New York State's Capital Region. His column, The Major Lift, provides a monthly analysis of the mainstream music industry.
Inhaltsangabe
Acknowledgements Introduction Chapter One: On Hyndford Street, Early Years and Influences Chapter Two: Them and Brown Eyed Girl (1964 1967) Chapter Three: A Brand New Day (1967 1971) Chapter Four: Listen to the Lion (1971 1974) Chapter Five: Impasse and Reemergence (1974 1980) Chapter Six: The Path to Enlightenment (1981 1989) Chapter Seven: Back on Top (1990 2000) Chapter Eight: Keep It Simple (2000 2008) END NOTES BIBLIOGRAPHY DISCOGRAPHY
Acknowledgements Introduction Chapter One: On Hyndford Street, Early Years and Influences Chapter Two: Them and Brown Eyed Girl (1964 1967) Chapter Three: A Brand New Day (1967 1971) Chapter Four: Listen to the Lion (1971 1974) Chapter Five: Impasse and Reemergence (1974 1980) Chapter Six: The Path to Enlightenment (1981 1989) Chapter Seven: Back on Top (1990 2000) Chapter Eight: Keep It Simple (2000 2008) END NOTES BIBLIOGRAPHY DISCOGRAPHY
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