Stephanie Johnson

The Writers' Festival (eBook, ePUB)

• Format: ePub

Produktbeschreibung

The festival reminds me of Ben Jonson's great play Bartholomew Fair in which many strands are woven into the plot, where the swirl of activity represents social disorder. . . she has become increasingly sharp-eyed in observing fashions and increasingly assured in her technique. If she were not hidden in the Antipodes she would be mentioned along with Malcolm Bradbury, Thomas Sharpe or David Lodge as amusing, witty, satiric, yet a good read. . . Her books are clever, enjoyable mirrors of our time.

---

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, EW, E, FIN, F, GR, H, I, LT, L, LR, M, NL, PL, P, R, SLO, SK ausgeliefert werden.

Produktdetails

• Verlag: Penguin Random House NZ
• Seitenzahl: 352
• Erscheinungstermin: 22. April 2015
• Englisch
• ISBN-13: 9781775537991
• Artikelnr.: 55931428

Autorenporträt

Stephanie Johnson is the author of several collections of poetry and of short stories, some plays and adaptations, and many fine novels. The New Zealand Listener commented that 'Stephanie Johnson is a writer of talent and distinction. Over the course of an award-winning career - during which she has written plays, poetry, short stories and novels - she has become a significant presence in the New Zealand literary landscape, a presence cemented and enhanced by her roles as critic and creative writing teacher.' The Shag Incident won the Montana Deutz Medal for Fiction in 2003, and Belief was shortlisted for the same award. Stephanie has also won the Bruce Mason Playwrights Award and Katherine Mansfield Fellowship, and was the 2001 Literary Fellow at the University of Auckland. Many of her novels have been published in Australia, America and the United Kingdom. She co-founded the Auckland Writers and Readers Festival with Peter Wells in 1999. She is the 2023 recipient of the Prime Minister's Award for Literature. The Oxford Companion to New Zealand Literature describes Johnson's writing as 'marked by a dry irony, a sharp-edged humour that focuses unerringly on the frailties and foolishness of her characters . . . There is compassion, though, and sensitivity in the development of complex situations', and goes on to note that 'a purposeful sense of . . . larger concerns balances Johnson's precision with the small details of situation, character and voice that give veracity and colour'.