Though it's not his usual line of work, Milo agrees to help - he needs the money, and he wants to spend more time with this beautiful woman. But this is far from a routine case, and whispers of a long-past crime haunt Milo's every move . . .
'As sweetly profane a poet as American noir could have asked for' Ian Rankin
'Like James Ellroy, he is a master of American vernacular, turning tough-guy slang into something like poetry' Independent
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