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This novel describes what happened in the culture clash between the Indians of Chiapas and the government of Mexico: the Indians seeking a life and livelihood on their land, the government seeking to repress them and ultimately control their land. The government control is but part and parcel of the new global economy.
The Yellow Cathedral comes out of the time the author spent in Mexico in 1994-5, during the Zapatista uprising. Set in the impoverished southern Mexican state of Chiapas in the early 1990s, at the time of the rebellion by the indigenous population and Zapatista activists
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Produktbeschreibung
This novel describes what happened in the culture clash between the Indians of Chiapas and the government of Mexico: the Indians seeking a life and livelihood on their land, the government seeking to repress them and ultimately control their land. The government control is but part and parcel of the new global economy.
The Yellow Cathedral comes out of the time the author spent in Mexico in 1994-5, during the Zapatista uprising. Set in the impoverished southern Mexican state of Chiapas in the early 1990s, at the time of the rebellion by the indigenous population and Zapatista activists (the EZLN) against the wealthy landowners and the political establishment.

The narrative switches between a number of characters who represents different aspects of the conflict: the indigenous, who may or may not be in sympathy with the revolt, but are in some way on a level with it, and members of the governing class, trying to deal with this revolution and its effects while the economy is spinning out of control.
Autorenporträt
Anita Mason was born in Bristol, England. She read English at Oxford, lived in London, and worked in the publishing field for five years.

Mason is the author of multiple novels as well as a number of short stories. Her novels include The Illusionist (1983), The War Against Chaos (1988), The Racket (1990), Angel (1994), The Yellow Cathedral (2002), and The Right Hand of the Sun (2008). The Illusionist was nominated for the 1983 Booker Prize in the UK.