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This book discusses how Dambudzo Marechera rethinks utopia as an ongoing event that contests institutionalized narratives of the postcolonial self and its relationship to society. Marechera destabilizes the narrative constitution of the self in relation to society to turn towards a radical utopian thinking that empowers the individual.
This book discusses how Dambudzo Marechera rethinks utopia as an ongoing event that contests institutionalized narratives of the postcolonial self and its relationship to society. Marechera destabilizes the narrative constitution of the self in relation to society to turn towards a radical utopian thinking that empowers the individual.
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Autorenporträt
Shun Man Emily Chow-Quesada is an Assistant Professor in the Department of English Language and Literature at Hong Kong Baptist University. Her research focuses on world and postcolonial Anglophone literature, and the representations of Africa in Hong Kong. She has published journal articles and book chapters on Anglophone African literature and taught courses in world literature, postcolonial literature, African literature, and representations of blackness. She is also the editor of the "Hong Kong and Chinese Literature and Culture" section of Hong Kong Review of Books.
Inhaltsangabe
Contents Acknowledgments Introduction: Situating Marechera and Utopia Chapter 1: Marechera, Heimat, and the Utopian Function of Literature 1. Literature and Utopian Thinking 2. The Role of the Writer 3. Marechera's Heimat Chapter 2: The Utopia of an Outsider 1. The Escape Mentality 2. The "Outsider" and the "Nowhere" 3. Ambiguity and Openness Chapter 3: Violence and Power 1. Power in Violence 2. Women in Violence 3. Violence and Aporia Chapter 4: Narratives of Identities 1. Racial Identity 2. Ethnic Identity 3. National Identity 4. A Being of Rootlessness Chapter 5: The (Un)Real 1. Orientating Reality 2. Melting the "Columns" of Society 3. Embracing the "(Un)real" Chapter 6: The Writer and the Community 1. The Individual versus the Collective 2. A Constellation of Individuals 3. Responsibility and Emancipation Conclusion: Marechera - the "Dissident"
Contents
Acknowledgments
Introduction: Situating Marechera and Utopia
Chapter 1: Marechera, Heimat, and the Utopian Function of Literature
Contents Acknowledgments Introduction: Situating Marechera and Utopia Chapter 1: Marechera, Heimat, and the Utopian Function of Literature 1. Literature and Utopian Thinking 2. The Role of the Writer 3. Marechera's Heimat Chapter 2: The Utopia of an Outsider 1. The Escape Mentality 2. The "Outsider" and the "Nowhere" 3. Ambiguity and Openness Chapter 3: Violence and Power 1. Power in Violence 2. Women in Violence 3. Violence and Aporia Chapter 4: Narratives of Identities 1. Racial Identity 2. Ethnic Identity 3. National Identity 4. A Being of Rootlessness Chapter 5: The (Un)Real 1. Orientating Reality 2. Melting the "Columns" of Society 3. Embracing the "(Un)real" Chapter 6: The Writer and the Community 1. The Individual versus the Collective 2. A Constellation of Individuals 3. Responsibility and Emancipation Conclusion: Marechera - the "Dissident"
Contents
Acknowledgments
Introduction: Situating Marechera and Utopia
Chapter 1: Marechera, Heimat, and the Utopian Function of Literature
Literature and Utopian Thinking
The Role of the Writer
Marechera's Heimat
Chapter 2: The Utopia of an Outsider
The Escape Mentality
The "Outsider" and the "Nowhere"
Ambiguity and Openness
Chapter 3: Violence and Power
Power in Violence
Women in Violence
Violence and Aporia
Chapter 4: Narratives of Identities
Racial Identity
Ethnic Identity
National Identity
A Being of Rootlessness
Chapter 5: The (Un)Real
Orientating Reality
Melting the "Columns" of Society
Embracing the "(Un)real"
Chapter 6: The Writer and the Community
The Individual versus the Collective
A Constellation of Individuals
Responsibility and Emancipation
Conclusion: Marechera - the "Dissident"
Rezensionen
Chow-Quesada offers a remarkable new reading of Marechera's work, liberating it from the corset of overly used typologies and parameters of postcolonial theory. Seen through Marechera's works and words, utopia is not the far-away imaginary world of our dreams. It rather takes form through the permanent and adamant resistance against all tenets of the world as we know it. Importantly in the context of recent discourses around identity politics, Chow-Quesada highlights how Marechera explodes all categorization along racial, ethnic or national identity.
-Flora Veit-Wild, Professor Emerita of African Literatures and Cultures, Humboldt University, Berlin.
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