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In 1767, Hamburg chartered the first Deutsches Nationaltheater. Michael Sosulski connects the performance of body discipline by professional actors, soldiers, and schoolchildren to the growing interest in German national identity, long before Germany's incorporation as a nation-state. Through the efforts of literary intellectuals and advocates, including G.E. Lessing and Friedrich Schiller, the Nationaltheater emerged as an ideal space in which to imagine the nation, because for Germans, nationality emerged as a performed identity.

Produktbeschreibung
In 1767, Hamburg chartered the first Deutsches Nationaltheater. Michael Sosulski connects the performance of body discipline by professional actors, soldiers, and schoolchildren to the growing interest in German national identity, long before Germany's incorporation as a nation-state. Through the efforts of literary intellectuals and advocates, including G.E. Lessing and Friedrich Schiller, the Nationaltheater emerged as an ideal space in which to imagine the nation, because for Germans, nationality emerged as a performed identity.

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Autorenporträt
Michael J. Sosulski is Assistant Professor of German in the Department of German, Kalamazoo College, USA.