Ulrike Garde, John R. Severn

Theatre and Internationalization (eBook, PDF)

Perspectives from Australia, Germany, and Beyond

• Format: PDF

Produktbeschreibung

Theatre and Internationalization examines how internationalization affects the processes and aesthetics of theatre, and how this art form responds dramatically and thematically to internationalization beyond the stage.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 270
• Erscheinungstermin: 29. Oktober 2020
• Englisch
• ISBN-13: 9781000208955
• Artikelnr.: 60162540

Autorenporträt

Ulrike Garde is Head of German Studies at Macquarie University, with research interests covering German intercultural studies and theatre. Her most recent book, co-authored with Meg Mumford, is Theatre of Real People: Diverse Encounters at Berlin's Hebbel am Ufer and Beyond (2016).

John R. Severn is a Research Fellow at Macquarie University. He is the author of Shakespeare as Jukebox Musical (Routledge, 2019) and is currently working on an Australian Research Council-funded Discovery Project on the economic and cultural value of theatre in Australia.

Inhaltsangabe

Section 1: Introduction
1. Theatre(s) and Internationalization(s)
Ulrike Garde and John R. Severn
Section 2: Theatre and Internationalization: Snapshots from the Twentieth
Century to Today
2. 1930s Jazz Operettas and Internationalization Then and Now: Risks,
Ethics, Aesthetics
John R. Severn
3. Visualizing the Entrepreneurial Networks of International Entertainment:
The Dalrays Touring Beyond the Tivoli, 1956-66
Jonathan Bollen
4. Localizing Aboriginal and Pacific Performance on Internationalized
Stages, 1967-73
Amanda Harris
5. Collaborative Creation across Borders and Art Forms: A Director's
Perspective on Opera and Internationalization
Sally Blackwood
Section 3: Language and Text in Theatre and Internationalization
6. Negotiating Unfamiliar Languages and Accents in Contemporary Theatre
Ulrike Garde
7. Dramaturgical Oper(a N)ations: De-internationalization in Twenty-First
Century American and German-language Libretti
Amy Stebbins
8. Criticizing Globalization in a Theatre of Internationalization?:
Concepts of Theatrical Space between Dissolution and Demarcation in Falk
Richter's Electronic City (2003) and Safe Places (2016)
Felix Lempp
Section 4: Internationalization in Contemporary Theatre
9. Internationalization and Contemporary German-speaking Theatremakers and
Playwrights
Johannes Birgfeld
10. Who's Watching? Neo-realism and Global Brand Ibsen in Germany and
Australia
Margaret Hamilton
Section 5: Internationalization, Performers, Audiences, Institutions
11. Migration and Theatre in Berlin: The Maxim Gorki Theater and the
Komische Oper Berlin
Brangwen Stone
12. Young Artists, International Markets: Legitimizing Myths and
Institutional Strategies
Benjamin Hoesch
13. International Percolations of Disability Aesthetics in Dance and
Theatre
Christiane Czymoch, Kate Maguire-Rosier, and Yvonne Schmidt

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Section 1: Introduction

1. Theatre(s) and Internationalization(s)



Ulrike Garde and John R. Severn



Section 2: Theatre and Internationalization: Snapshots from the Twentieth Century to Today

2. 1930s Jazz Operettas and Internationalization Then and Now: Risks, Ethics, Aesthetics



John R. Severn



3. Visualizing the Entrepreneurial Networks of International Entertainment: The Dalrays Touring Beyond the Tivoli, 1956-66



Jonathan Bollen



4. Localizing Aboriginal and Pacific Performance on Internationalized Stages, 1967-73



Amanda Harris



5. Collaborative Creation across Borders and Art Forms: A Director's Perspective on Opera and Internationalization



Sally Blackwood



Section 3: Language and Text in Theatre and Internationalization

6. Negotiating Unfamiliar Languages and Accents in Contemporary Theatre



Ulrike Garde



7. Dramaturgical Oper(a N)ations: De-internationalization in Twenty-First Century American and German-language Libretti



Amy Stebbins



8. Criticizing Globalization in a Theatre of Internationalization?: Concepts of Theatrical Space between Dissolution and Demarcation in Falk Richter's Electronic City (2003) and Safe Places (2016)



Felix Lempp



Section 4: Internationalization in Contemporary Theatre

9. Internationalization and Contemporary German-speaking Theatremakers and Playwrights



Johannes Birgfeld



10. Who's Watching? Neo-realism and Global Brand Ibsen in Germany and Australia



Margaret Hamilton



Section 5: Internationalization, Performers, Audiences, Institutions

11. Migration and Theatre in Berlin: The Maxim Gorki Theater and the Komische Oper Berlin



Brangwen Stone



12. Young Artists, International Markets: Legitimizing Myths and Institutional Strategies



Benjamin Hoesch



13. International Percolations of Disability Aesthetics in Dance and Theatre



Christiane Czymoch, Kate Maguire-Rosier, and Yvonne Schmidt

Rezensionen

"Theatre and Internationalization prompts readers to reflect across a broad range of topics and presents them with useful tools to carry out further study. The studies found here will be particularly useful towards developing a language to articulate the complex realities of stage practice and performance, drawing from a considerable theoretical apparatus. The case-study approach grounds the contributions and ensures their concreteness, in an area of study that would otherwise risk falling into sterile abstraction." Serra Porteiro, Scenario, p. 165.