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Theatre as Voyeurism (re)defines voyeurism as an 'exchange' between performers and audience members, privileging pleasure (erotic and aesthetic) as a crucial factor in contemporary theatre. This intriguing group of essays focuses on artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk.

Produktbeschreibung
Theatre as Voyeurism (re)defines voyeurism as an 'exchange' between performers and audience members, privileging pleasure (erotic and aesthetic) as a crucial factor in contemporary theatre. This intriguing group of essays focuses on artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk.

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Autorenporträt
Fiona Bannon, University of Leeds, UK Luk Van den Dries, University of Antwerp, Belgium Laurens De Vos, University of Amsterdam, Holland William McEvoy, University of Sussex, UK Eleni Papalexiou, University of the Peloponnese, Nafplion, Greece Daniël Ploeger, Royal Central School of Speech and Drama, University of London, UK David Shearing, University of Leeds, UK Tim Stephenson, University of Leeds, UK Aaron C. Thomas, Dartmouth College, USA
Rezensionen
"The volume offers rich critical engagements with this theatrical voyeur by asking what pleasures, intersubjective relations, and sensorial dynamics might emerge from such a model of spectatorship. ... Theatre as Voyeurism succeeds at articulating an exciting and novel theoretical frame and is a valuable collection for any scholar interested in spectatorship, the auteur, and/or the erotics of performance." (Matthew C. Stone, Theatre Journal, Vol. 59 (4), December, 2017)