Theatre as Voyeurism (re)defines voyeurism as an 'exchange' between performers and audience members, privileging pleasure (erotic and aesthetic) as a crucial factor in contemporary theatre. This intriguing group of essays focuses on artists such as Jan Fabre, Romeo Castellucci, Ann Liv Young, Olivier Dubois and Punchdrunk.
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"The volume offers rich critical engagements with this theatrical voyeur by asking what pleasures, intersubjective relations, and sensorial dynamics might emerge from such a model of spectatorship. ... Theatre as Voyeurism succeeds at articulating an exciting and novel theoretical frame and is a valuable collection for any scholar interested in spectatorship, the auteur, and/or the erotics of performance." (Matthew C. Stone, Theatre Journal, Vol. 59 (4), December, 2017)