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Since the Enlightenment, French theatre has occupied a prominent place within French thought, society and culture, but as a subject of study it has remained a purview of theatre historians, literary scholars and aestheticians. They focus on the emergence of the modern theatre as change generated from within bourgeois literary drama but ignore theatre as a complex social practice. Theatre, Politics, and Markets in Fin-de-Siècle Paris investigates the dynamic relationships among the avant-garde, official culture and the commercial sphere, arguing against the neat divide of 'high' and 'low'…mehr
Since the Enlightenment, French theatre has occupied a prominent place within French thought, society and culture, but as a subject of study it has remained a purview of theatre historians, literary scholars and aestheticians. They focus on the emergence of the modern theatre as change generated from within bourgeois literary drama but ignore theatre as a complex social practice. Theatre, Politics, and Markets in Fin-de-Siècle Paris investigates the dynamic relationships among the avant-garde, official culture and the commercial sphere, arguing against the neat divide of 'high' and 'low' culture by showing how cultural forms of varying social origins influenced each other.
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Autorenporträt
SALLY CHARNOW is Assistant Professor of History at Hofstra University, USA. Her articles have appeared in Women in Jewish Culture: Active Voices (University of Illinois Press, 1995), Radical History Review and Historical Reflections.
Inhaltsangabe
Introduction PART I: ECONOMICS AND POLITICS OF THE NEW THEATRE French Society, Commercial Culture, and the Emergence of Modern Theatre: André Antoine and the Théâtre Libre The Politics of Censorship PART II: AESTHETICS OF AVANT-GARDE THEATRE Modernist Expressions Foreign Playwrights, Avant-Garde Theatres, and French Critics PART III: MODERN THEATRE AND THE 'POPULAR' The Popular Theatre Movement Le Théâtre du Peuple: Modern Theatre, Regionalism, and the Search for the Authentic in Fin-de-Siècle France Conclusion
Introduction PART I: ECONOMICS AND POLITICS OF THE NEW THEATRE French Society, Commercial Culture, and the Emergence of Modern Theatre: André Antoine and the Théâtre Libre The Politics of Censorship PART II: AESTHETICS OF AVANT-GARDE THEATRE Modernist Expressions Foreign Playwrights, Avant-Garde Theatres, and French Critics PART III: MODERN THEATRE AND THE 'POPULAR' The Popular Theatre Movement Le Théâtre du Peuple: Modern Theatre, Regionalism, and the Search for the Authentic in Fin-de-Siècle France Conclusion
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