Jean I. Marsden (University of Connecticut)

Theatres of Feeling (eBook, PDF)

Affect, Performance, and the Eighteenth-Century Stage

• Format: PDF

Produktbeschreibung

Theatre and theatregoing was central to the cultural life of later eighteenth-century Britain. In this engaging work, Jean I. Marsden explores the playhouse as a source of emotion during a period when the ability to feel demonstrated moral worth. Using first-hand accounts, reviews, and illustrations to complement the drama of the era, Marsden examines why both critics and audiences elevated the theatre above the pulpit and how they experienced the plays and performances that they witnessed. Tears and even fainting fits were a common reaction to powerful productions, and playwrights sought to harness this emotion. The book explores this intersection of text, performance, and affect in a series of case studies of plays exploring British liberty, empire and the evils of antisemitism. With a focus on emotional response, Theatres of Feeling delivers a new approach to dramatic literature and performance, one that moves beyond more limited studies of text or performance.

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Produktdetails

• Verlag: Cambridge University Press (Virtual Publishing)
• Erscheinungstermin: 19. Juni 2019
• ISBN-13: 9781108759717
• Artikelnr.: 70914253

Autorenporträt

Jean I. Marsden is Professor of English at the University of Connecticut. Her previous publications include The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth (1991), The Re-Imagined Text: Shakespeare, Adaptation, and Eighteenth-Century Literary Theory (1995), Fatal Desire: Women, Sexuality, and the English Stage 1660-1720 (2006), and numerous articles or editions dealing with diverse topics ranging from Restoration and eighteenth-century theatre, children's literature, Shakespeare, to the poet Anne Finch.

Inhaltsangabe

Introduction
1. Divine sympathy: theatre, connection, and virtue
2. Dangerous pleasures: theatregoing in the eighteenth century
3. Roman fathers and Grecian daughters: tragedy and the nation
4. Performing the West Indies: comedy, feeling, and British identity
5. The moral muse: comedy as social engineering
Epilogue.