This volume is the first to focus on the ways in which Terrence Malick integrates theological inquiries and motifs into his films. Essays from established and up-and-coming scholars analyze seven of Malick's films - Badlands, Days of Heaven, The Thin Red Line, The New World, The Tree of Life, To the Wonder, and Knight of Cups - to show how his cinematic techniques point toward and overlap with principles of Christian theology.
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