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What relevance has comedy for the global crises of late-modernity and the theological critique thereof? Coming out of the experience of war, a generation of modern theologians such as Donald MacKinnon, Hans Urs von Balthasar, and, more recently, Rowan Williams, in their accommodation to literature, choose tragedy as the paradigm for theological understanding and ethics. By contrast, this book develops recent philosophical, anthropological, and psychoanalytical studies of humor to develop a theology of comedy. By deconstructing secular accounts of comedy it advances the argument that comedy is…mehr

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Produktbeschreibung
What relevance has comedy for the global crises of late-modernity and the theological critique thereof? Coming out of the experience of war, a generation of modern theologians such as Donald MacKinnon, Hans Urs von Balthasar, and, more recently, Rowan Williams, in their accommodation to literature, choose tragedy as the paradigm for theological understanding and ethics. By contrast, this book develops recent philosophical, anthropological, and psychoanalytical studies of humor to develop a theology of comedy. By deconstructing secular accounts of comedy it advances the argument that comedy is not only participatory of the divine, but that it should inform our thinking about liturgical, sacramental, and ecclesial life if we are to respond to the postmodern age in which having fun is an ideological imperative of market forces.

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Autorenporträt
Marcus Pound is Assistant Director of the Centre for Catholic Studies, Durham University, where he is also Associate Professor of Theology. He has taught at Bristol University, Birkbeck College London, and Nottingham University. He is the author of Theology, Psychoanalysis, and Trauma (SCM, 2007), and Slavoj Zizek: A (Very) Critical Introduction (Eerdmans, 2008), and has coedited Theology After Lacan (Wipf & Stock, 2015).