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The study of folklore has historically focused on the daily life and culture of regular people, such as artisans, storytellers, and craftspeople. But what can folklore reveal about strategies of belonging, survival, and reinvention in moments of crisis? The experience of living in hostile conditions for cultural, social, political, or economic reasons has redefined communities in crisis. The curated works in Theorizing Folklore from the Margins offer clear and feasible suggestions for how to ethically engage in the study of folklore with marginalized populations. By focusing on issues of…mehr
The study of folklore has historically focused on the daily life and culture of regular people, such as artisans, storytellers, and craftspeople. But what can folklore reveal about strategies of belonging, survival, and reinvention in moments of crisis?
The experience of living in hostile conditions for cultural, social, political, or economic reasons has redefined communities in crisis. The curated works in Theorizing Folklore from the Margins offer clear and feasible suggestions for how to ethically engage in the study of folklore with marginalized populations. By focusing on issues of critical race and ethnic studies, decolonial and antioppressive methodologies, and gender and sexuality studies, contributors employ a wide variety of disciplines and theoretical approaches. In doing so, they reflect the transdisciplinary possibilities of Folklore studies.
By bridging the gap between theory and practice, Theorizing Folklore from the Margins confirms that engaging with oppressed communities is not only relevant, but necessary.
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Autorenporträt
edited by Solimar Otero, Mintzi Auanda Martínez-Rivera, with contributions by Rachel V. González-Martin, Juan Eduardo Wolf, Miriam Melton-Villanueva, Sheila Bock, Solimar Otero, Rhonda R. Dass, Cheikh Tidiane Lo, Katherine Borland, Itzel Guadalupe Garcia, Mabel Cuesta, Gloria M. Colom Braña, Martin A. Tsang, Alexander Fernandez, Mintzi Auanda Martínez-Rivera, Xóchitl Chávez, Cory W. Thorne, Phyllis M. May-Machunda
Inhaltsangabe
Part I: Critical Paths Introduction: How does Folklore find its voice in the 21st century? An offering/invitation from the margins 1. White Traditioning and Bruja Epistemologies: Rebuilding the House of USAmerican Folklore Studies 2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean Anti-Colonial Methodology 3. Disrupting the Archive Part II: Framing the Narrative 4. Afrolatinx Folklore and Visual Representation: Interstices and Anti-Authenticity 5. Behaving Like Relatives: Or we don't sit around and talk about politics with strangers 6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry 7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical Folkloristics Perspective 8. movimiento armado/armed movement Part III: Visualizing the Present 9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y representación audiovisual para la comunidad lesbiana en Cuba 10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in Times of Adversities 11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of Color and Practice of Beadwork in Lukumí Religion 12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory in Haitian Vodou Part IV: Placing Community 13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork in a Conflict 14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic Bands Audition on a university campus 15. Hidden thoughts and exposed bodies: art, everyday life, and queering Cuban masculinities 16. Complexifying Identity through Disability: Critical Folkloristic Perspectives on Being a Parent and Experiencing Illness & Disability through My Child Index
Part I: Critical Paths Introduction: How does Folklore find its voice in the 21st century? An offering/invitation from the margins 1. White Traditioning and Bruja Epistemologies: Rebuilding the House of USAmerican Folklore Studies 2. Un Tumbe Ch'ixi: Incorporating Afro-descendant Ideas into an Andean Anti-Colonial Methodology 3. Disrupting the Archive Part II: Framing the Narrative 4. Afrolatinx Folklore and Visual Representation: Interstices and Anti-Authenticity 5. Behaving Like Relatives: Or we don't sit around and talk about politics with strangers 6. Political Protest, Ideology, and Social Criticism in Wolof Folk Poetry 7. Sugar Cane Alley: Teaching the Concept of "Group" from a Critical Folkloristics Perspective 8. movimiento armado/armed movement Part III: Visualizing the Present 9. Ni lacras, ni lesbianas normalizadas: Trauma, matrimonio, conectividad y representación audiovisual para la comunidad lesbiana en Cuba 10. "¿Batata? ¡Batata!": Examining Puerto Rican Visual Folk Expression in Times of Adversities 11. Forming Strands and Ties in the Knotted Atlantic: Methodologies of Color and Practice of Beadwork in Lukumí Religion 12. Of Blithe Spirits: Narratives of Rebellion, Violence, and Cosmic Memory in Haitian Vodou Part IV: Placing Community 13. "No one would believe us": An Auto-Ethnography of Conducting Fieldwork in a Conflict 14. "La Sierra Juárez en Riverside": The Inaugural Oaxacan Philharmonic Bands Audition on a university campus 15. Hidden thoughts and exposed bodies: art, everyday life, and queering Cuban masculinities 16. Complexifying Identity through Disability: Critical Folkloristic Perspectives on Being a Parent and Experiencing Illness & Disability through My Child Index
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