42,95 €
42,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
21 °P sammeln
42,95 €
42,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
21 °P sammeln
Als Download kaufen
42,95 €
inkl. MwSt.
Sofort per Download lieferbar
payback
21 °P sammeln
Jetzt verschenken
42,95 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
21 °P sammeln
  • Format: ePub

This volume is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Ranging across the Middle East, Central Asia and North India, it brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers' reports and descriptions of instruments, on musical institutions and other spaces of musical performance. Extending the implications of Wright's own work, it argues for an ethnomusicology of the…mehr

  • Geräte: eReader
  • mit Kopierschutz
  • eBook Hilfe
  • Größe: 6.55MB
Produktbeschreibung
This volume is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Ranging across the Middle East, Central Asia and North India, it brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers' reports and descriptions of instruments, on musical institutions and other spaces of musical performance. Extending the implications of Wright's own work, it argues for an ethnomusicology of the Islamic Middle East in which past and present, text and performance are systematically in dialogue.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Rachel Harris is Reader in the Music of China and Central Asia at SOAS, University of London, UK. Her research interests include global musical flows, identity politics, gender, and ritual practice. She is the author of two books on musical life in China's Xinjiang Uyghur Autonomous Region, and co-editor of three books. She currently leads an AHRC Research Network and the Leverhulme Research Project 'Sounding Islam in China'. She is actively engaged with outreach projects relating to Central Asian and Chinese music, including recordings, musical performance, and consultancy. Martin Stokes is King Edward Professor of Music at King's College, London, UK. He has taught ethnomusicology at Queen's University Belfast, the University of Chicago, and Oxford. He is the author of The Arabesk Debate: Music and Musicians in Modern Turkey (1992), and The Republic of Love: Cultural Intimacy and Turkish Popular Music (2010). His edited volumes include Ethnicity, Identity and Music (1994) and (with Karin Van Neiuwkerk and Mark Levine) Islam and Popular Culture (2015).