Jae Emerling

Theory for Art History (eBook, ePUB)

Adapted from Theory for Religious Studies, by William E. Deal and Timothy K. Beal

• Format: ePub

Produktbeschreibung

Theory for Art History provides a concise and clear introduction to key contemporary theorists, including their lives, major works, and transformative ideas.

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Produktdetails

• Verlag: Taylor & Francis
• Seitenzahl: 240
• Erscheinungstermin: 6. Juni 2019
• Englisch
• ISBN-13: 9781136288708
• Artikelnr.: 56935997

Autorenporträt

Jae Emerling is a Professor of Art History in the College of Arts + Architecture at the University of North Carolina, Charlotte. He is also the author of Photography: History and Theory, published by Routledge.

Inhaltsangabe

INTRODUCTION : Becoming Theoretical

PREDECESSORS

1. Sigmund FREUD

2. Karl MARX

3. Friedrich NIETZSCHE

4. Ferdinand de SAUSSURE

THEORY FOR ART HISTORY

5. Theodor W. ADORNO

6. Giorgio AGAMBEN

7. Hannah ARENDT

8. Louis ALTHUSSER

9. Alain BADIOU

10. Roland BARTHES

11. Georges BATAILLE

12. Jean BAUDRILLARD

13. Walter BENJAMIN

14. Pierre BOURDIEU

15. Judith BUTLER

16. Gilles DELEUZE and Félix GUATTARI

17. Jacques DERRIDA

18. Michel FOUCAULT

19. Martin HEIDEGGER

20. Luce IRIGARAY

21. Julia KRISTEVA

22. Jacques LACAN

23. Emmanuel LEVINAS

24. Jean-François LYOTARD

25. Maurice MERLEAU-PONTY

26. Jacques RANCIÈRE

27. Edward W. SAID

28. Gayatri Chakravorty SPIVAK

AFTERWORD: An Art History of Events: Images, Temporality, Transmissibility

Rezensionen

"Located outside the often spectral interiors of historicity, Emerling's Theory for Art History demands our attention with an exquisite rendering of art and image making. His is as much a spatial reckoning with the labor, manifestation, and reception of art history as it is a deliberation on how we construct the temporal. With each chapter, we are fortunate to lose ourselves among these pages as they extend meaning, promise epistemic entanglements, and signify our own disciplinary un-becoming."

Sean Anderson, The Museum of Modern Art, New York, USA

"A lucid and profoundly hopeful inquiry into the possibilities for art history and critical theory by one of the most brilliant of the emerging generation of art historians."

Donald Preziosi, University of California, Los Angeles, USA