Dean Wilcox

Theory for Theatre Studies: Light (eBook, PDF)

• Format: PDF

Produktbeschreibung

What properties of light can be manipulated for aesthetic effect? What role does the perception of the audience play in how stage information is received and processed? How do changes in technology affect methods or approaches to design and practice?

This book is designed to introduce key ideas about light and to generate questions and perspectives that will encourage readers to explore light in the theatre more fully in their own critical and creative practices.

Examining the theories behind stage lighting practice to help students learn to analyse the aesthetic and critical impacts of light in performance, this book traces the development of lighting practice by focusing on important shifts in technology and aesthetics from the classical period to the modern era.

Central to this study are ideas developed by 'New Stagecraft' theorists and designers Adolphe Appia, Edward Gordon Craig and Robert Edmond Jones. Case studies include semiotic approaches to Loïe Fuller's combination of light, movement and costume, Robert Wilson's Einstein on the Beach and Tadashi Suzuki's The Trojan Women. Further case studies including the installation work of James Turrell and Refik Anadol, the Winston Salem Light Project and David Byrne's American Utopia, examine the use of light in theatrical and non-theatrical spaces by focusing on phenomenology, community engagement and the evolution of lighting technology.

A companion website features links to images, chapter summaries, questions and further resources for study.

Produktdetails

• Verlag: Bloomsbury UK eBooks
• Seitenzahl: 184
• Erscheinungstermin: 27. Juni 2024
• Englisch
• ISBN-13: 9781350374782
• Artikelnr.: 72268385

Autorenporträt

Dean Wilcox is Professor of Theatre History, Dramatic Literature and Humanities in the Division of Liberal Arts at The University of North Carolina School of the Arts, USA. He has published in Theatre Journal, Theatre Survey, The Journal of Dramatic Theory and Criticism, Theatre Research International, and Modern Drama.

Inhaltsangabe

Series Preface Acknowledgments Introduction: Light, Colour and Perception
SECTION ONE From Natural to Artificial Light The Sam Wanamaker Playhouse
and The Duchess of Malfi Henry Irving, Gaslight and The Bells Lighting in
The Modern Era: Anton Chekhov's The Cherry Orchard The New Stagecraft
Symbolist Drama and The Intruder: A Complex Engagement Beneath the Surface
SECTION TWO From Modernism to the Postmodern Era A Semiotic Approach to
Performance Analysis Case Study: Loïe Fuller: Dancing with Light Case
Study: Robert Wilson's Einstein on the Beach Case Study: Tadashi Suzuki's
The Trojan Women SECTION THREE From the Gallery to the Community to the
Stage Case Study: James Turrell: Light, Space, Perception and Duration Case
Study: The Winston Salem Light Project: Seeing Familiar Spaces in
Unfamiliar Ways Case Study Refik Anadol: Light, Space and Artificial
Intelligence Case Study: David Byrne's American Utopia: Live Theatre and
Emergent Technology Notes References Further Reading Index