Ralph Turek, Daniel Mccarthy

Theory for Today's Musician Textbook (eBook, PDF)

• Format: PDF

Produktbeschreibung

Theory for Today's Musician, Third Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks engagingly to today's music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 758
• Erscheinungstermin: 15. Januar 2019
• Englisch
• ISBN-13: 9781351246255
• Artikelnr.: 54910195

Autorenporträt

Ralph Turek is a theorist, composer, author, jazz pianist, Professor Emeritus at The University of Akron, and a veteran of 35 years of teaching in the music theory classroom.

Daniel McCarthy is a familiar name in contemporary American music. As a composer, he has received distinguished faculty research/creativity awards at Indiana State University and The University of Akron, where he is Chair of the Composition and Theory Section in the School of Music.

Inhaltsangabe

PART ONE: IN LIEU OF FUNDAMENTALS
1 Assorted Preliminaries
2 Intervals
PART TWO: DIATONIC HARMONY
3 Basic Harmonic Structures
4 Musical Shorthand: Lead Sheets and Figured Bass
5 Harmonies of the Major and Minor Scales
6 Cadences
Harmonic Rhythm
PART THREE: MELODY
7 Melodic Pitch and Rhythm
8 Embellishing Tones
9 Melodic Form
PART FOUR: VOICE LEADING
10 Melodic Principles of Part Writing: The Outer-Voice Framework
11 The Melodic Factor in Four-Voice Part Writing: Voicing and Connecting Chords
12 The Chorale: Part Writing with Root-Position Triads
13 Part Writing with Triads in Inversion
14 Part Writing Seventh Chords
PART FIVE: BASIC CHROMATIC HARMONY
15 Secondary Function I
16 Secondary Function II
17 Modulation I
PART SIX: COUNTERPOINT
18 The Art of Countermelody
19 The Fugue
PART SEVEN: ADVANCED CHROMATIC HARMONY
20 Mixing Modes
21 Altered Pre-Dominants
22 Other Chromatic Harmonies
23 Modulation II
24 Harmonic Extensions and Chromatic Techniques
PART EIGHT: FORM
25 Binary and Ternary Forms
26 Sonata Form
27 The Rondo
PART NINE: MUSIC IN THE TWENTIETH CENTURY AND BEYOND
28 Syntax and Vocabulary
29 New Tonal Methods
30 Non-Serial Atonality
31 Serial Atonality
32 Harmonic Principles in Jazz
33 The Blues
34 Shaping a Song
Appendix A: Pitch
Appendix B: Rhythm
Appendix C: Lead-Sheet Symbols
Appendix D: Part Writing Guidelines