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There Is No I in Debris is a walking and talking contradiction. Of course, as a matter of fact, the English letter is plain to see. If, however, the reader would care to acknowledge the fluid nature of that self who processes experience with images and words, the effect of these poems will be to expose the mysterious vulnerability of that authentic person who so often hides behind various familial and societal roles. The poet here posits a crisis, especially for clergy and various leaders of the institutional church in the twenty-first century. We are now entering a postmodern field of debris,…mehr
There Is No I in Debris is a walking and talking contradiction. Of course, as a matter of fact, the English letter is plain to see. If, however, the reader would care to acknowledge the fluid nature of that self who processes experience with images and words, the effect of these poems will be to expose the mysterious vulnerability of that authentic person who so often hides behind various familial and societal roles. The poet here posits a crisis, especially for clergy and various leaders of the institutional church in the twenty-first century. We are now entering a postmodern field of debris, in which the fragments of one's identity must be confronted amid the mere artifice of Christendom.
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Autorenporträt
C. Scott Kinder-Pyle loiters near Spokane, Washington-loving his adventurous spouse, his incorrigible adult children, and his untrainable dogs. He is also known as a teacher of philosophy, literature, and religion courses at Gonzaga and Eastern Washington universities. Originally, however, Scott blended into the crowd of obnoxious Philadelphia sports fans of the 1970s and '80s. Ordained as a minister of the Word and Sacrament in the Presbyterian Church (USA) in 1988, he continues to serve in that penultimate role as the Titanic lists to the side, and more icebergs loom . . . Alas, nothing satisfies, a condition of the soul which has prompted degrees (of glory) from Princeton Theological Seminary, Columbia Theological Seminary, and finally a Master of Fine Arts from Eastern Washington in 2013.
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