3,99 €
3,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
2 °P sammeln
3,99 €
3,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
2 °P sammeln
Als Download kaufen
3,99 €
inkl. MwSt.
Sofort per Download lieferbar
payback
2 °P sammeln
Jetzt verschenken
3,99 €
inkl. MwSt.
Sofort per Download lieferbar

Alle Infos zum eBook verschenken
payback
2 °P sammeln
  • Format: ePub

How is it that the girl with straight As ends up scrubbing floors for minimum wage, living in a room above Vera's Hairstyling, in a god-forsaken town called Powassan? She didn't marry the wrong guy. She didn't have kids. She wasn't an immigrant, uprooted and transplanted. So what happened? Where are all the straight-A girls from high school? Why, how, have they 'disappeared'? Marriage and kids is an inadequate answer because married-with-kids straight-A boys (of which, let's acknowledge, there are fewer) are visible. Everywhere. Even the straight-B boys are out there. So what happens? This is…mehr

  • Geräte: eReader
  • ohne Kopierschutz
  • eBook Hilfe
  • Größe: 0.46MB
Produktbeschreibung
How is it that the girl with straight As ends up scrubbing floors for minimum wage, living in a room above Vera's Hairstyling, in a god-forsaken town called Powassan? She didn't marry the wrong guy. She didn't have kids. She wasn't an immigrant, uprooted and transplanted. So what happened? Where are all the straight-A girls from high school? Why, how, have they 'disappeared'? Marriage and kids is an inadequate answer because married-with-kids straight-A boys (of which, let's acknowledge, there are fewer) are visible. Everywhere. Even the straight-B boys are out there. So what happens? This is what happens provides several answers as it traces this disappearance with a microscopic examination of one woman's life. There are three voices juxtaposed throughout the novel: the fresh, impassioned protagonist speaking through her journal entries from the age of fifteen; the sarcastic, now-fifty protagonist commenting about the events of her life, occasionally speaking to her younger self; and the dispassionate narrator. The novel's audience is primarily women-it will resonate most with older women, but it is younger women who most need to read it. Because this is what happens. "An incisive reflection on how social forces constrain women's lives." Booklife/Publishers' Weekly "I find the writing style very appealing ... An interesting mix of a memoir and a philosophical work, together with some amazing poetry. ... This is what happens ranks in my top five of books ever read." Mesca Elin, Psychochromatic Redemption "Really enjoyed the novel. I like the use of a journal as the format to tell the story. ... The author gives the reader lots of food for thought. An intense novel." Pam FitzGerald "The self-analysis is astounding." Claudine Leonhardt "A seriously powerful novel." C. Osborne "This book is so amazing. I was so enthralled that I just kept reading ...." JB

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
chris wind has degrees in Literature, Education, and Philosophy. She is the author of This is what happens, dreaming of kaleidoscopes, Satellites Out of Orbit (including Thus Saith Eve, Soliloquies: the lady doth indeed protest, Snow White Gets Her Say, Deare Sister, and UnMythed- all individually available), Paintings and Sculptures, Particivision and other stories, and Excerpts . Her poetry has been published in Alpha, The Antigonish Review, Ariel, Atlantis, Bite, Bogg, Canadian Author and Bookman, Canadian Dimension, Canadian Woman Studies, Contemporary Verse 2, The Free Verse Anthology, Girlistic Magazine, grain, Interior Voice, Kola, Mamashee, The New Quarterly, Next Exit, Onionhead, Poetry Toronto, Prism International, Rampike, Shard, The University of Toronto Review, The Wascana Review, Whetstone, White Wall Review, Women's Education des femmes, and three anthologies (Clever Cats, ed. Ann Dubras; Going for Coffee, ed. Tom Wayman; Visions of Poesy, ed. Dennis Gould). "Luncheon on the Grass" was the motive poem for an exhibit by Brooks Bercovitch and Colton at the Galerie Schorer, Montreal (1998). Her prose has been read on CBC Radio and published in ACT, Alpha, American Atheist, The Antigonish Review, Canadian Woman Studies, event, Existere, (f.)Lip, Herizons, Herstoria, The Humanist, Humanist in Canada, Hysteria, The New Quarterly, Other Voices, Secular Nation, and Waves. Her theatrical works have been performed by Laurel Theater, Alumnae Theatre, Theatre Resource Center, Theatre Asylum, Buddies in Bad Times, and A Company of Sirens. She has received thirteen Ontario Arts Council Writers' Reserve grants based on publisher and theatre recommendation. She was a panellist at the Canadian National Feminist Poetry Conference (Winnipeg, 1992), and featured in an article in The Montreal Gazette (1994). Lastly, she's listed in "Who's Who in Hell" (probably because of "Faith," "The Great Jump-Off," and Thus Saith Eve).