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In the magnificent feast of Clarice Lispector's books, her crônicasshort, intensely vivid newspaper piecesare the delicious canapés
The things I've learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don't know. Or maybe they do even when they don't. There are various ways of knowing by not-knowing. I know: it happens to me too.
The crônica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty,
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Produktbeschreibung
In the magnificent feast of Clarice Lispector's books, her crônicasshort, intensely vivid newspaper piecesare the delicious canapés

The things I've learned from taxi drivers would be enough to fill a book. They know a lot: they really do get around. I may know a lot about Antonioni that they don't know. Or maybe they do even when they don't. There are various ways of knowing by not-knowing. I know: it happens to me too.

The crônica, a literary genre peculiar to Brazilian newspapers, allows writers (or even soccer stars) to address a wide readership on any theme they like. Chatty, mystical, intimate, flirtatious, and revelatory, Clarice Lispector's pieces for the Saturday edition of Rio's leading paper, the Jornal do Brasil, from 1967 to 1973, take the forms of memories, essays, aphorisms, and serialized stories. Endlessly delightful, her insights make one sit up and think, whether about children or social ills or pets or society women or the business of writing or love. This new, large, and beautifully translated volume, Too Much of Life: The Complete Crônicas presents a new aspect of the great writerat once off the cuff and spot on.


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Autorenporträt
Clarice Lispector (19201977), the greatest Brazilian writer of the twentieth century, has been called astounding (Rachel Kushner), a penetrating genius (Donna Seaman, Booklist), and one of the twentieth century's most mysterious writers (Orhan Pamuk).