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'The universe began shrinking,' wrote Elie Wiesel of his Holocaust experiences in Hungary, 'first we were supposed to leave our towns and concentrate in the larger cities. Then the towns shrank to the ghetto, and the ghetto to a house, the house to a room, the room to a cattle car...' Adopting an innovative multi-perspectival approach framed around a wide variety of material traces - from receipts to maps, name lists to photographs - Tim Cole tells stories of journeys into and out of Hungarian ghettos. These stories of the perpetrators who oversaw ghettoization and deportation, the bystanders…mehr

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Produktbeschreibung
'The universe began shrinking,' wrote Elie Wiesel of his Holocaust experiences in Hungary, 'first we were supposed to leave our towns and concentrate in the larger cities. Then the towns shrank to the ghetto, and the ghetto to a house, the house to a room, the room to a cattle car...' Adopting an innovative multi-perspectival approach framed around a wide variety of material traces - from receipts to maps, name lists to photographs - Tim Cole tells stories of journeys into and out of Hungarian ghettos. These stories of the perpetrators who oversaw ghettoization and deportation, the bystanders who witnessed and aided these journeys, and the victims who undertook them reveal the spatio-temporal dimensions of the Holocaust. But they also point to the visibility of these events within the ordinary spaces of the city, the importance of an economic assault on Jews and the marked gendering of the Holocaust in Hungary.
Autorenporträt
Professor Tim Cole is Professor of Social History at Bristol University and Director of the Brigstow Institute, conducting research into what it means to be human in the twenty-first century.

His first book Images of the Holocaust (Duckworth and Routledge US) was shortlisted for the Longman/History Today Book Award. In 2003 he published Holocaust City:The Making of a Jewish Ghetto with Routledge and in 2011 Traces of the Holocaust: Journeying In and Out of the Ghettos (Continuum) which was commended by the jury of the Fraenkel Prize.