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In their bold experimentation and bracing engagement with culture and politics, the "New Hollywood" films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch , Chinatown , and Nashville . This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly "grounded"…mehr
In their bold experimentation and bracing engagement with culture and politics, the "New Hollywood" films of the late 1960s and early 1970s are justly celebrated contributions to American cinematic history. Relatively unexplored, however, has been the profound environmental sensibility that characterized movies such as The Wild Bunch, Chinatown, and Nashville. This brisk and engaging study explores how many hallmarks of New Hollywood filmmaking, such as the increased reliance on location shooting and the rejection of American self-mythologizing, made the era such a vividly "grounded" cinematic moment. Synthesizing a range of narrative, aesthetic, and ecocritical theories, it offers a genuinely fresh perspective on one of the most studied periods in film history.
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Autorenporträt
Adam O'Brien teaches film studies at the universities of Bristol and Reading. He has published articles on ecocriticism and film in a number of journals, including Film Criticism, Journal of Media Practice, and ISLE: Interdisciplinary Studies in Literature and Environment.
Inhaltsangabe
List of illustrations Acknowledgements Prologue: A Typical Love Scene Introduction Chapter 1. Four Faces of New Hollywood Chapter 2. Resisting Abstraction Chapter 3. Rooting In and Lighting Out: New Hollywood and Genre Chapter 4. Regional Frames Chapter 5. Conditions, Technologies and Presence Conclusion: Coming to Terms with Mr. Meek Bibliography Index
List of illustrations Acknowledgements Prologue: A Typical Love Scene Introduction Chapter 1. Four Faces of New Hollywood Chapter 2. Resisting Abstraction Chapter 3. Rooting In and Lighting Out: New Hollywood and Genre Chapter 4. Regional Frames Chapter 5. Conditions, Technologies and Presence Conclusion: Coming to Terms with Mr. Meek Bibliography Index
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